While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
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[title] => 1946: THE MISTRANSLATION THAT SHIFTED CULTURE
[text] => 1946 reveals the ground-breaking research of Kathy Baldock, a Christian Conservative LGBTQIA+ activist and Ed Oxford, an LGBTQIA+ theologian, in their quest to, discover what factors ignited the anti-gay movement within American conservative Christians. The filmmaker, Sharon “Rocky” Roggio, started this pursuit in an effort to find common ground, within scripture, for her and her conservative father, Pastor Sal Roggio. What has been discovered along the way stands the chance to profoundly change the language of inclusion and to better the lives of both conservative Christians and the LGBTQIA+ people they love. The removal of the LGBTQIA+ person from the sin category is akin to this century’s abolition of racial discrimination and the passing of women’s suffrage. There are two sides of history to stand on.
C.S. Lewis said, “You can’t go back and change the beginning, but you can start where you are and change the ending.”
[logline] => A journey which unveils the mystery of how theology, history, culture, and politics led to a Biblical mistranslation, the man who tried to stop it, and the impassioned academic crusade of the LGBTQIA+ Christian community-driven to discover the truth.
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1946: THE MISTRANSLATION THAT SHIFTED CULTURE
A journey which unveils the mystery of how theology, history, culture, and politics led to a Biblical mistranslation, the man who tried to stop it, and the impassioned academic crusade of the LGBTQIA+ Christian community-driven to discover the truth.
Learn more
Array
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[title] => We Are Volcanoes
[text] => Undisclosed project. Please contact filmmaking team for more information.
[logline] => Undisclosed project. Please contact filmmaking team for more information.
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We Are Volcanoes
Undisclosed project. Please contact filmmaking team for more information.
Learn more
Array
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[title] => Untitled Rajie Cook documentary
[text] => Roger Cook is arguably the most influential designer you’ve never heard of.
Reducing visual design to its most fundamental forms, American designer Cook created the symbols by which we navigate airports, train stations, and finding the bathrooms. However, while his work provided way finding to the world, he spent his life unpacking who he was down to his bloodline and his very name, which turned out to be an adaptation of Rajie, a name given to him by his immigrant parents from Palestine and lost early on in the fast adjustment to their new life.
Raised as a Church-going, all American child in NJ, Roger shows a drive for art and design, then an explosive field that leads him to the booming world of Madison Avenue. Ever competitive and fiercely original, he starts his own firm and with his partner, comes up with the universally recognized designs that guide the world.
After a first trip to reconnect with his Palestinian roots, Roger reclaims his name, Rajie. Witnessing the ignored suffering of a people from whom he hails and increasingly identifies with, Rajie finds his mission, to tell the story of his people through his visual art.
Using interviews, archival photos and home videos, recordings, as well as AI to bring Rajie’s work to life, our film retraces the biography of this passionate artist.
[logline] => Rajie Cook designed the visual symbols used to navigate our world, but had to find his own way through his Palestinian identity. As his pioneering designs achieved worldwide acclaim, his visual art confronted the often-ignored suffering of his lineage. Cook's life journey was the arc of a first generation American
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Untitled Rajie Cook documentary
Rajie Cook designed the visual symbols used to navigate our world, but had to find his own way through his Palestinian identity. As his pioneering designs achieved worldwide acclaim, his visual art confronted the often-ignored suffering of his lineage. Cook's life journey was the arc of a first generation American
Learn more
Array
(
[ID] => 137885
[title] => Hollywood Does Abortion
[text] => HOLLYWOOD DOES ABORTION is a deep dive into the depiction of abortion in film and television, revealing how flawed portrayals contribute to persistent misperceptions that impact attitudes and public policy. Although the number of onscreen abortion storylines has grown steadily in the five decades covered in the documentary, HOLLYWOOD DOES ABORTION reveals persistent cultural myths and misinformation that frame abortion as morally ambiguous, dangerous, rare, easy to access, and sought by a demographic that does not match reality.
Extensive use of archival television and film imagery ranges from “Maude” and “Dirty Dancing” to “Jane the Virgin” and “Juno,” and forward to “P-Valley” and “Blonde,” creating a historical timeline to support the “story” of the film. Leading directors, writers, showrunners, and cultural critics share their personal and political reactions to these seminal depictions through the lens of today’s post-Roe world, and herald some of today’s creators who are working with reproductive rights activists to better reflect the lived experience of getting or providing an abortion.
Hollywood Does Abortion features interviews with creators Gillian Robespierre (Obvious Child0, Eleanor Bergstein (Dirty Dancing), Rachel Lee Goldenberg (Unpregnant), Janine Sherman Barrois (Claws), Rachel Bloom (Crazy Ex-Girlfriend), David Schulner (New Amsterdam), Tanya Saracho (Vida), Adrienne Barbeau (Maude), Zoanne Clack and Julie Wong (Grey’s Anatomy); media experts Dana Stevens (Slate), Steph Herold (Abortion OnScreen), Kate Folb (Hollywood, Heath and Society, and activist Renee Bracey Sherman (WeTestify).
[logline] => HOLLYWOOD DOES ABORTION reveals how depictions of abortion in film and television have both reflected and distorted this safe but controversial medical procedure. Exploring how abortion came into our living rooms and psyches, we see how these stories helped shape public discourse and today’s seismic shift in abortion access.
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Hollywood Does Abortion
HOLLYWOOD DOES ABORTION reveals how depictions of abortion in film and television have both reflected and distorted this safe but controversial medical procedure. Exploring how abortion came into our living rooms and psyches, we see how these stories helped shape public discourse and today’s seismic shift in abortion access.
Learn more
Array
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[ID] => 148994
[title] => The Soldier's Journey
[text] => On April 8th 2022, I saw Kramatorsk train station shortly after a Russian rocket obliterated the lives of 51 civilians and saw the bloody remains of women, children and elderly scattered like rags on the platform. I was angry and enlisted in the National Guard of Ukraine. I learned how to treat the wounded and how to survive on the battlefield. I was the only woman in my unit but I gained their respect and found friends. My commander allowed me to film but it was made clear that my job as a soldier came first.
Focusing on life on the frontline, I am both a witness and protagonist in a documentary that follows the transformation of average civilians into combat veterans and what they lose on the way. Life at war has given me an overwhelming clarity of who people really are and amongst all the pain, destruction and moral ambiguity, there are genuine moments of joy, love and human decency. Now, as a recently promoted lieutenant I am torn between the wish to be with my mother who worries me every day, and the responsibility to the young men I now command. I am also a woman in a world of men. For now, I am showing no weakness to my men because they rely on my experience to stay alive. Yet, I have not let go of my hope in humanity and deep down inside, I'm still a girl who wants to dance and be a mom.
[logline] => What does it take for Helena, a filmmaker to pick up a weapon in the most ruthless war the world has experienced since World War II and still try not to lose hope in humanity and the future?
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The Soldier's Journey
What does it take for Helena, a filmmaker to pick up a weapon in the most ruthless war the world has experienced since World War II and still try not to lose hope in humanity and the future?
Learn more
Array
(
[ID] => 437
[title] => River of Grass
[text] => River of Grass addresses the Florida Everglades’ past, present, and future through Marjory Stoneman Douglas’s groundbreaking book, The Everglades: River of Grass (1947) which transformed popular perception of the land from a worthless swamp into a valuable river. Marjory was a Miami-based journalist. suffragist, and advocate for the Everglades until her death at 108 years old. Over haunting Everglades landscapes and an otherworldly soundscape, Marjory's observations of a shifting and developing South Florida contextualize present-day scenes in which a diverse cross-section of people navigate their relationship with a compromised place. Positioning past and present directly in conversation with one another, the film reveals how historical events inextricably shape the present. Together the stories build a complex collective map of a unique and endangered place.
[logline] => A time-traveling guide channeled by the land recounts the Everglades’ violent past and warns of Florida's precarious future. Told through Miami journalist Marjory Stoneman Douglas's The Everglades: River of Grass (1947), the film explores how Florida’s vulnerability to climate change is historically rooted in the Everglades’ ongoing legacies of settler colonialism.
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)
River of Grass
A time-traveling guide channeled by the land recounts the Everglades’ violent past and warns of Florida's precarious future. Told through Miami journalist Marjory Stoneman Douglas's The Everglades: River of Grass (1947), the film explores how Florida’s vulnerability to climate change is historically rooted in the Everglades’ ongoing legacies of settler colonialism.
Learn more
Array
(
[ID] => 157472
[title] => Arrest The Midwife
[text] => One by one, three midwives are arrested. They are trained, highly skilled midwives, beloved in their community of Amish and Mennonite women that relies on them for critical healthcare…. Between them, they have delivered over 2000 healthy babies. But their credential, Certified Professional Midwife, recognized in 37 US states, is not recognized in their state - New York.
While the US faces an acute maternal mortality crisis, the battle between the medical industry and midwifery is a centuries-old David and Goliath story with direct repercussions that impact maternal-fetal health and safety. These shocking arrests only exacerbate a rural healthcare desert. But they also spur the emergence of a very unlikely new group of fierce political activists.
With rare access to an intensely private community, ARREST THE MIDWIFE tells of the story of the these midwives Liz, Melissa and Lissa, and of the Amish and Mennonite women who break from their traditions to stand up, speak out, and join the fight for women’s bodily autonomy and reproductive justice.
[logline] => The shocking arrest of midwives in a rural healthcare desert leaves a community stranded, and spurs the emergence of a very unlikely group of fierce political activists – Amish and Mennonite women who break with their traditions to stand up and speak out for women’s reproductive rights.
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Arrest The Midwife
The shocking arrest of midwives in a rural healthcare desert leaves a community stranded, and spurs the emergence of a very unlikely group of fierce political activists – Amish and Mennonite women who break with their traditions to stand up and speak out for women’s reproductive rights.
Learn more
Array
(
[ID] => 162819
[title] => Next Generation Sex
[text] => When New Jersey schools unveil an updated sex education curriculum, including lessons for younger kids and LGBTQ+ inclusivity, the backlash is immediate.
As opposing parents and politicians band together to pressure the state to rescind the changes, three high school students - Louie, Mehr and Max - are caught up in the firestorm. They are on a mission to preserve what they believe is a fundamental right of young people - access to critical information on their bodies, gender identity and sexuality. Over the course of the next few years, NEXT GENERATION SEX follows the tenacity and bravery of these three teens: Louie, an aspiring educator who shares his own fears about coming out; Mehr, an outspoken senior working to stop sexual assault and harassment; and Max, a trans student who is unwantedly the focus of the parental rights extremists. Each must navigate discrimination, public vitriol, and their own personal journeys to protect their rights.
Alongside the teenagers, the film also tracks the fury of parental backlash to the new curriculum and opposition to discussions of sex or gender in schools at all. These “parental rights” groups take over school boards, troll educators by calling them “groomers” and pedophiles, and target student activists, while aiming to control what young people are allowed to learn about their own sexuality, bodies, and relationships.
As this battle explodes into a national firestorm, the film reveals the next generation’s fight to break beyond society’s fear and discomfort, to shape what they value in society.
[logline] => What begins as a few local parental rights groups resisting sex education erupts into a national firestorm – revealing deeply personal stories and a larger cultural reckoning. At stake is the critical question: “Do kids have a fundamental right to knowledge about their own bodies and sexuality?”
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Next Generation Sex
What begins as a few local parental rights groups resisting sex education erupts into a national firestorm – revealing deeply personal stories and a larger cultural reckoning. At stake is the critical question: “Do kids have a fundamental right to knowledge about their own bodies and sexuality?”
Learn more
Array
(
[ID] => 86190
[title] => The Boy and the Suit of Lights
[text] => Borja's eyes scan the floor with intense concentration, his left hand clutching the cape that follows their gaze. His right hand grips a thin sword. As he looks up into the stands, his mother Raquel stares back. Raquel single-handedly raised him and his younger brother, Erik, and Borja feels a great responsibility on his shoulders to take them out of poverty. Borja lives in a small coastal town in Spain where opportunities are limited. After school, he spends hours honing his bullfighting skills in the local School of Bullfighting, funded by public money. At 12, Borja is by far the youngest in the group. The teacher organizes a mock bullfight with calves. The atmosphere is electric. Borja notices his classmates wear better costumes - shiny silver-buttoned jackets, known as a suit of lights. He looks down in embarrassment at the plastic buttons sewn onto his own jacket. In the middle of the mock fight, animal rights activists burst into the ring. The audience yells and boos. Eventually, the activists are taken away. Activists are campaigning hard to put an end to public money being used to support bullfighting and bull rearing. Could we be witnessing the last generation of bullfighters in Spain? Expenses are piling up - Borja knows his family are making a huge effort to support him and now is the time to "man up" and really fight for the dream. He understands there is no going back. Will he become a torero?
[logline] => Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
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)
The Boy and the Suit of Lights
Hoping to rescue his family from poverty, young Borja is torn between tradition, controversy, and identity as he aspires to fulfill his family's dream of becoming a bullfighter.
Learn more
Array
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[ID] => 135512
[title] => Wittig, Yes!
[text] => Wittig, Yes! introduces Wittig's political, theoretical, and literary ideas through the creative collaborations with her partner Sande Zeig and a new generation of international academics and writers who articulate the foundations of her conceptual revolution. Zeig interweaves excerpts of work they developed over the years through archival film, photographs, personal notes, as well as theatrical readings, moving with them from France, Greece, California, and Arizona. The three decades of public and private archival materials unveil Monique Wittig not only as a revolutionary writer, thinker, and activist but also as a multifaceted individual with a profound compassion for others, a deep love of nature, and an exceptional sense of humor. She leaves a legacy that continues to have an impact on our current ideas of gender and political thought.
[logline] => More than 50 years ago, Monique Wittig, acclaimed writer, theorist, and lesbian feminist icon, dared to envision a world beyond gender. Told by her lifelong partner Sande Zeig, Wittig, Yes! unveils the synthesis of Wittig's public and private personas, tracing the origins of her groundbreaking theories.
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Wittig, Yes!
More than 50 years ago, Monique Wittig, acclaimed writer, theorist, and lesbian feminist icon, dared to envision a world beyond gender. Told by her lifelong partner Sande Zeig, Wittig, Yes! unveils the synthesis of Wittig's public and private personas, tracing the origins of her groundbreaking theories.
Learn more
Array
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[ID] => 134931
[title] => Tribal Strands
[text] => Tribal Strands is a documentary film that amplifies the growing movement to end hair discrimination in the United States and around the world. The film seeks to normalize and highlight the profound cultural and social significance of Black hair, exploring its deep-rooted power and symbolism.
Through the lens of two central hair artists, the story delves into the intersections of ancient Indigenous tribal hairstyles and the echoes of those styles in contemporary hair expression. Their work sparks conversations around art, activism, and identity bridging the past and present to reveal the historical importance of Black hair and its continued relevance in today’s society.
[logline] => Two self-made hair artists, create authentic hairstyles, leading the anti-hair discrimination movement. In addition, they inspire Black people to embrace their natural hair worldwide while exploring the intersections between modern and ancient African indigenous hairstyles.
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[title] => Still 2 Tribal Strands
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[alt] => A woman in tribal makeup and clothes looks downwards, with her eyes closed
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Tribal Strands
Two self-made hair artists, create authentic hairstyles, leading the anti-hair discrimination movement. In addition, they inspire Black people to embrace their natural hair worldwide while exploring the intersections between modern and ancient African indigenous hairstyles.
Learn more
Array
(
[ID] => 158361
[title] => Untitled Women and Mushrooms Film
[text] => THE QUEENDOM (WT) is a study of entanglements: between women and mushrooms, mycelia and forests, humans and non-humans, and generational knowledge and modern science.
Eliseete and Julieta are young, scientifically-trained indigenous women in the forests of Oaxaca and Mexico State. They face discrimination, poverty, deforestation, climate change, and violent territorial conflicts, but they envision a different future.
THE QUEENDOM (WT) introduces Eliseete and Julieta in their daily lives and traces their connections to mushrooms and the obstacles they face as indigenous scientists. As they work on their parallel projects, the women come together to share knowledge and explore visions of how fungi can reshape the future. These imagined possibilities are brought to life by sci-fi inspired sequences. Interwoven throughout the film are intimate moments with the Mycelium that expand our perception of the natural world and allow us to connect with the inconspicuous beings that we share the planet with.
Part observational documentary and part speculative cinema, THE QUEENDOM (WT) envisions a sustainable future built through the collaboration of science and tradition, of humans and nature.
[logline] => Lis and Juli are unlikely heroes: instead of weapons or shields, they carry baskets to collect mushrooms. These indigenous foragers and scientists lead this immersive docu-sci fi journey through Mexico’s forests to unveil secrets from the Queendom — the world of fungi and those whose lives intertwine with it.
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[link] => https://www.wmm.com/sponsored-project/untitled-women-and-mushrooms-film
)
Untitled Women and Mushrooms Film
Lis and Juli are unlikely heroes: instead of weapons or shields, they carry baskets to collect mushrooms. These indigenous foragers and scientists lead this immersive docu-sci fi journey through Mexico’s forests to unveil secrets from the Queendom — the world of fungi and those whose lives intertwine with it.
Learn more
Array
(
[ID] => 125202
[title] => Family Treasures Lost and Found
[text] => One of the tragedies suffered by Holocaust survivors and their descendants is loss of history. For some, this is partly due to the decisions of survivors not to talk about their prewar lives and persecution before and during World War II. A cascade of heartache can impact later generations; they must balance their need to know with respect for the privacy of relatives and their desire to protect them from the pain of reliving terrible experiences in the process of disclosing them. Our one-hour documentary traces how Karen first delved into inherited papers and had them translated. We demonstrate how she followed leads from them and scoured the Internet. We travel to Europe with her to real-world archives and cities family members frequented. Our film reveals the complexity and joy of Karen’s quest, and the satisfying knowledge gained from it.
Family Treasures Lost and Found shows how a few righteous individuals, at great personal peril, helped save Karen’s mother. Our film also shows the importance of a free press, in the case of Karen’s father, local reporting. This is so important now, as authoritarians worldwide attack journalists. Thus, our film reflects many issues related to freedom.
Family detective stories fascinate people. PBS’s Finding Your Roots, is in its ninth year. Over 3 million subscribe to Ancestry.com, which includes Newspapers.com. Many determine their DNA through genetic testing. Because Karen has used many tools and services to unravel the past, she can feed those hungry for information on how to do it.
[logline] => Journalist Karen A. Frenkel is the daughter of Holocaust survivors. Her mother spoke of her wartime ordeal, but her father was silent. Karen embarked on a five-year quest to fill in the gaps, honor her parents and lost relatives, and ensure that memories would endure. This became an exciting detective story as she searched online and real-world archives and visited cities to better understand silence and loss.
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Family Treasures Lost and Found
Journalist Karen A. Frenkel is the daughter of Holocaust survivors. Her mother spoke of her wartime ordeal, but her father was silent. Karen embarked on a five-year quest to fill in the gaps, honor her parents and lost relatives, and ensure that memories would endure. This became an exciting detective story as she searched online and real-world archives and visited cities to better understand silence and loss.
Learn more
Array
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[ID] => 101331
[title] => Paper City
[text] => This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
Just after midnight on March 10, 1945, the U.S. carried out a massive incendiary air attack on eastern Tokyo, unleashing a firestorm that devastated this densely urban area of wooden and paper houses. By sunrise, more than 100,000 people had been killed, and a quarter of the city wiped off the map—the most destructive air raid of any war in history. Yet it is barely spoken of in Japan or abroad.
For years the survivors have campaigned for a public memorial and museum, and for some token compensation for the loss of their homes, loved ones, and livelihoods. But the Japanese Government continues to ignore their appeals, and after seven decades, they find themselves cast aside—and on the verge of being effectively erased from historical narratives. In contrast, former soldiers have been treated generously by the state.
Paper City tells the story of three survivors as they launch one final campaign to leave behind a record of this forgotten tragedy—before the last of them passes away. Using paper as a central metaphor—a means of documenting the past that is as fragile as life itself—Paper City will explore the power and frailty of memory. And in giving a voice to the firebombing survivors, the film will shine a light on the devastating and lasting impact of civilian-targeted airstrikes, which continue around the world to this day.
[logline] => Paper City tells the story of three survivors of the 1945 fire-bombing of Tokyo as they launch one final campaign to leave behind a record of this forgotten tragedy—before the last of them passes away.
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Paper City
Paper City tells the story of three survivors of the 1945 fire-bombing of Tokyo as they launch one final campaign to leave behind a record of this forgotten tragedy—before the last of them passes away.
Learn more
Array
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[ID] => 497
[title] => The Long View
[text] => The Long View documentary tells the story of the sustained community organizing effort to transform schools in Oakland, California, offering a window into a decade’s worth of learning about the ebbs and flows of change in a community and school district. By following the collective efforts of students, educators, and families, the film shows how grassroots community organizing is a powerful tool for low-income communities and communities of color to rectify inequities in the education system. It provides a window into the challenges facing schools throughout the country, including changing leadership and chronic under-funding, and elevates the power of educators, families, and students to create and sustain a shared vision of student and school success.
At an Oakland screening, Dr. Linda Darling-Hammond told the audience of parents, educators, community members, and organizers: “I feel so privileged and pleased to be here because this film and all the work that you have been doing for many decades is really a testament to what we should be doing in every community in the country.”
Audiences at screenings in cities such as Philadelphia, New York, Providence, Denver, and Detroit have been moved by the stories in The Long View. In the challenges and triumphs of Oakland, they see their own struggles to advance education justice.
“Your film not only gives voice to education stakeholders who have been unheard in the dialogue around school reform, but also spotlights the inequities that continue to plague our schools.” Liz Davis, President, Washington DC Teachers’ Union
[logline] => One community's struggle to create schools that work for all its students.
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[title] => Here, the Silence is Heard
[text] => Gabriela's mother and grandparents left their home violently and suddenly during the Chilean dictatorship. Her grandfather was against the regime, and he was imprisoned and tortured several times. If they didn't flee, it would cost him his life.
Gabriela was raised in Spain, and grew up listening to her mother’s stories about Valparaíso: a port city, where she had a magical childhood. Then, darker stories originated: the dead thrown into the ocean, the forced disappeared and the survivors of the tyranny - like her grandfather. Gabriela always believed that the night the military raided their house to take her grandfather, they also took something inexplicable from her mother.
Following the traces of an inherited trauma, Gabriela travels back to Chile and reopens the doors of a house that remained silent for five decades. While many layers of wallpaper are removed, Gabriela tries to recover the memories of her aging grandparents that had returned years ago.
Gabriela is a witness to large social protests in the country. The brutal repression awakens the traumas of her grandfather, who ends up hospitalized. In turn, his absence awakens his wife's traumas. Gabriela begins to understand her place in this country, in this family history, and why it all still hurts so much.
[logline] => Gabriela's family escaped the Chilean dictatorship when her grandfather's life was in serious danger. 50 years later, Gabriela, who has inherited the trauma despite her being raised in Spain, returns to reopen the doors of the home they left behind.
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Here, the Silence is Heard
Gabriela's family escaped the Chilean dictatorship when her grandfather's life was in serious danger. 50 years later, Gabriela, who has inherited the trauma despite her being raised in Spain, returns to reopen the doors of the home they left behind.
Learn more
Array
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[title] => Dis-Ease
[text] => From the bubonic plague to COVID-19, the “war on disease” has been a metaphor we live and die by - a metaphor that shapes not only how we imagine illness, outbreaks, sick people, doctors, and treatments, but also how we act when we encounter them in the real world. This affects how we define both the "public" and "health" in public health, who merits life-saving measures, and even what qualifies as a health intervention. But what if it weren’t a war? To answer this question, the feature-length documentary DIS-EASE dives deep into cultural histories of contagion, deconstructs master narratives of risk and responsibility, and offers prescriptions for a healthier world. The film unfolds in three parts, roughly corresponding to the 19th, 20th, and 21st centuries, and uses the form of an outbreak narrative to diagnose the "war on disease" in the present militarization of public health discourse; trace it to its source in the tangled roots of Darwinism, eugenics, and colonial medicine; look at its evolution over time into pop-cultural phenomena like the vampire novel and body-snatcher film; and imagine alternatives that account for both the real drivers of large-scale outbreaks and the true interdependence of humans and microbes.
[logline] => For centuries, the “war on disease” has been a metaphor we live and die by. But what if it weren’t a war?
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Dis-Ease
For centuries, the “war on disease” has been a metaphor we live and die by. But what if it weren’t a war?
Learn more
Array
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[ID] => 108662
[title] => Vena Aquatica
[text] => Her name is Vena. She lives on a small patch of land with fourteen volcanos. Vena walks through a mellow-paced visceral dream, a tropical journey. Thriving despite gender-based violence and guided by her ecofeminist beliefs, Vena nurtures a boundless relationship with water and land.
In Vena’s world, the sense of time is fluid and place is experienced in a collage of landscapes, festivals, sacred grounds, water rituals, eco-social unrest, and memories of collective environmental trauma. Vena’s story holds space for the nuances of womanhood and family life, and her personal reflections of key moments throughout her life confronting perilous environmental moments in Salvadoran history.
The Vena Aquatica project encompasses El Salvador’s most urgent contemporary challenges: water access, water contamination, human migration, family disintegration, U.S. intervention, and gender inequality. Women breathe life into this story, and they teach us about climate patterns, water levels, the life of trees, what it means to heal intergenerational trauma and through their spirits we form a tender and emotional bond with water and the environment.
[logline] => In a tender mosaic of El Salvador, women reveal the joys and perils of their lives, deeply bonded with water and land. Vena Acuática is shaped by the relationships among women who defend a landscape haunted by environmental negligence and forced migration.
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Vena Aquatica
In a tender mosaic of El Salvador, women reveal the joys and perils of their lives, deeply bonded with water and land. Vena Acuática is shaped by the relationships among women who defend a landscape haunted by environmental negligence and forced migration.
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