While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
INDÍGENA
To fulfill her mother’s dying wish, a filmmaker retraces her mother’s work as an activist and journalist during the Red Power Movement of the 1960’s and 70’s, bringing to light 500 years of Taino resistance and igniting her own journey of reclamation.
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We Are Volcanoes
Undisclosed project. Please contact filmmaking team for more information.
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Extreme Animal Transport
What does it take to move wild animals across international borders? Every move has a story. We follow the journey to a new life.
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Life After
A gripping personal investigation that exposes the tangled web of moral dilemmas and profit motives surrounding assisted dying. Disabled filmmaker Reid Davenport uncovers shocking abuses of power as he amplifies the voices of the disability community and raises the alarm about the "right to die."
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Bought/Broken
“Bought/Broken” is an interactive experience that examines the relationships and violence of abuse through the lens of objects bought, broken and repaired, evoking memories through objects and exploring the idea of gain and loss. I have been compositing the experiences and stories of domestic violence survivors.
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Coexistence, My Ass!
Noam Shuster Eliassi grew up the literal poster child for the Israeli-Palestinian peace process before making a hard pivot to stand-up comedy and political satire. But as the region sinks deeper into devastating violence, she must meet the moment by challenging people with hard truths that are no laughing matter.
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After the Deluge
A year into the Covid-19 pandemic, Sharka, a scrappy expressionistic painter, finds respite from the isolation of her small apartment on a park bench. When Bridget, a self-possessed lone traveler dragging a suitcase, encroaches and sits down next to her, angry sparks fly until the two find unexpected common ground.
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I AM NOT A SPY
I AM NOT A SPY is a first-person documentary exploring the Russian electoral process under Putin’s regime. A Russian-American filmmaker gains access to her local polling station during multiple elections to investigate their validity and understand the mindsets of voters as Russia becomes increasingly authoritarian and invades Ukraine.
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JIMMY & THE DEMONS (formerly JIMMY)
JIMMY (w.t.) is a magical escape into the life and mind of celebrated sculptor, James Grashow, as he creates his magnum opus. The intricately carved work contrasts writhing demons with images of salvation, and mirrors Jimmy’s paradoxical struggle to reckon with the fragility of life and his zest for it.
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May It Be A Girl
MAY IT BE A GIRL is a film about the personal search for the identity of Kazakh women, who were named, according to an ancient tradition, by their parent’s wishes for them to be born as a son.
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SORORITY STORY
SORORITY STORY tells the unexamined story of racial discrimination in one of the largest and most exclusive private clubs in America: white college sororities.
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Presente!
Five years after the assassination of Marielle Franco, a young community leader born in the favela of Rocinha, Magda Gomes, follows the journeys of Black women in Brazilian politics as she contemplates which path to take toward her future.
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PERSIS
PERSIS is a documentary film exploring the legacy of the unheralded model-turned-actor Persis Khambatta.
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Landscapes of Memory
Weaving personal essay and intimate character studies, LANDSCAPES OF MEMORY explores Germany’s remembrance culture, and the uses and abuses of collective memory.
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Taking Venice
TAKING VENICE uncovers the true story behind rumors that the U.S. government and a team of high-placed insiders rigged the 1964 Venice Biennale – the Olympics of art – so their chosen artist, Robert Rauschenberg, could win the Grand Prize.
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Girl Island
How does a nice, quiet Jewish boy born in New Jersey in 1936 become a sound engineer for Jimi Hendrix, a lesbian separatist, founder of Trans Studies, and the Goddess of Cyberspace? Girl Island tells the rollercoaster life story of Sandy Stone, America's most modest rebel!
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On Three Wheels
On Three Wheels follows Brooklyn based, Puerto Rican bike shop owner Sandra as she risks it all for her dream of giving every wheelchair bound child an adaptive bicycle- taking them from four wheels to three- while bearing witness to the stark realities of families raising children with disabilities.
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Standing Above the Clouds
When the massive Thirty Meter Telescope is proposed to be built on Mauna Kea, an uprising of kiaʻi (protectors) in Hawaiʻi and around the world dedicate their lives to protecting the sacred mountain from destruction. Through the lens of mothers and daughters in three Native Hawaiian families, Standing Above the Clouds explores intergenerational healing and the impacts of safeguarding cultural traditions.
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