While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Family Treasures Lost and Found
Journalist Karen A. Frenkel is the daughter of Holocaust survivors. Her mother spoke of her wartime ordeal, but her father was silent. Karen embarked on a five-year quest to fill in the gaps, honor her parents and lost relatives, and ensure that memories would endure. This became an exciting detective story as she searched online and real-world archives and visited cities to better understand silence and loss.
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Tell Me No Lies: The Real John Pilger
Tell Me No Lies will tell the inside story of John Pilger, Australia’s most famous journalist.
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Aftermath
AFTERMATH revisits the wrenching, highly-publicized hate crime documented in Emmy-nominated THE BRANDON TEENA STORY, 25 years later. Through the eyes of a community grappling with the impact of Brandon’s life and death, the film explores loss, growth and life for LGBTQ individuals in Heartland America.
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SEEDS
SEEDS is an ethnographic portrait of a centennial African-American farm in Thomasville, Georgia. Using lyrical black and white imagery this meditative film examines the decline of generational black farmers and the significance of owning land.
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Presente!
Five years after the assassination of Marielle Franco, a young community leader born in the favela of Rocinha, Magda Gomes, follows the journeys of Black women in Brazilian politics as she contemplates which path to take toward her future.
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1946: THE MISTRANSLATION THAT SHIFTED CULTURE
A journey which unveils the mystery of how theology, history, culture, and politics led to a Biblical mistranslation, the man who tried to stop it, and the impassioned academic crusade of the LGBTQIA+ Christian community-driven to discover the truth.
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Girls of Tomorrow: Twenties (wt)
2015 - 2025 : From Obama, through Trump, and until Biden’s final presidential days, the Girls go through their twenties grappling with dreams of a fair, feminist, sustainable society in a patriarchal reality. While I have just become a mother and seek elevation, I follow them for a decade.
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The Source of Life (Te Puna Ora)
As the climate crisis threatens Tahiti, an alliance of women embarks on a sacred journey to protect their island home.
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Coming Home: Fight for a Legacy
A group of daring women challenge gender roles to become the first female military pilots during WWII, only to have their achievements buried by the lies of those who wished them to fail.
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See the Women
The daughter of an influential Native American activist raised in the center of the indigenous, political movement of the 70s, reclaims her identity as an activist and Indigenous woman by addressing the trauma that many women and children face, the one blind spot in her father’s own activism.
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Untitled Rajie Cook documentary
Rajie Cook designed the visual symbols used to navigate our world, but had to find his own way through his Palestinian identity. As his pioneering designs achieved worldwide acclaim, his visual art confronted the often-ignored suffering of his lineage. Cook's life journey was the arc of a first generation American
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Anarchy in High Heels
Anarchy in High Heels tells the story of Les Nickelettes, a women’s satirical musical theater company from 1970s and ‘80s San Francisco. They turned the patriarchy upside down with feminist humor and a spirit of collaboration. The film is a reminder of the subversive power of satire and sisterhood.
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ISKRA (Spark!)
Before Silicon Valley, Apple and Google, before Microsoft and Bill Gates, there was Yugoslavia and ISKRA. Overlooked and underrated, the non-aligned Yugoslav tech giant allowed East to connect with West. It was pioneering and avant-garde. Then... it suddenly disappeared.
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Seeing Stars
Five fierce and funny women with limited sight and limitless vision dare look into the dark and share their light.
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Fencing for the Edge
FENCING FOR THE EDGE follows the emotional and physical journeys of two girls’ teams as they compete in the world’s largest high school fencing league.
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My Name Is Andrea
A cinematic evocation of key moments from the life of feminist outlaw Andrea Dworkin, maverick thinker and intellectual genius of the 20th Century. Through innovative use of archival footage and expressionistic dramatizations, the film pushes the creative boundaries of biographical documentary to challenge the current narratives on gendered violence.
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Hear, Eat, Home
A lyric portrait of how—through art, friendship, music, and food—New York immigrant musicians and artists understand the upheavals they faced in their home countries and answer new challenges that emerge as they make the US their home.
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