While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
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[ID] => 153207
[title] => The Road to Independence (Working Title)
[text] => The Road to Independence plans to explore Vietnamese veterans’ personal stories, creative problem-solving, and combat experiences in their struggle for autonomy during the Vietnam-American war. Along with serving as a primary source historical record, this film connects history and present by asking both veterans and youth about their impressions of the war and hopes for the country’s future. At least 50% of all subjects in the film will be female voices.
It’s rare in the United States to see a film exclusively showcasing the Vietnamese experience of the Vietnam War. The Road to Independence will cover a side of the war that hasn’t been examined by most Americans. We’ve gotten many versions that seem to omit the greatest question - what was it all about? Vietnam has a long record of fighting for its autonomy, from China, Mongolia, France, Japan, and America. Vietnam stands out as a country without monetary resources that has been able to gain independence from some of the most powerful empires in the world. It’s a David and Goliath story. It’s a story that should be told from the voices of the people that lived and fought there.
[logline] => Seeking to give a nuanced and humanized view of the Vietnam-American war and its complex reverberations, this documentary explores the perspective of Vietnamese youth and Communist veterans as they discuss the past and their dreams for Vietnam's future.
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The Road to Independence (Working Title)
Seeking to give a nuanced and humanized view of the Vietnam-American war and its complex reverberations, this documentary explores the perspective of Vietnamese youth and Communist veterans as they discuss the past and their dreams for Vietnam's future.
Learn more
Array
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[title] => Untitled Rajie Cook documentary
[text] => Roger Cook is arguably the most influential designer you’ve never heard of.
Reducing visual design to its most fundamental forms, American designer Cook created the symbols by which we navigate airports, train stations, and finding the bathrooms. However, while his work provided way finding to the world, he spent his life unpacking who he was down to his bloodline and his very name, which turned out to be an adaptation of Rajie, a name given to him by his immigrant parents from Palestine and lost early on in the fast adjustment to their new life.
Raised as a Church-going, all American child in NJ, Roger shows a drive for art and design, then an explosive field that leads him to the booming world of Madison Avenue. Ever competitive and fiercely original, he starts his own firm and with his partner, comes up with the universally recognized designs that guide the world.
After a first trip to reconnect with his Palestinian roots, Roger reclaims his name, Rajie. Witnessing the ignored suffering of a people from whom he hails and increasingly identifies with, Rajie finds his mission, to tell the story of his people through his visual art.
Using interviews, archival photos and home videos, recordings, as well as AI to bring Rajie’s work to life, our film retraces the biography of this passionate artist.
[logline] => Rajie Cook designed the visual symbols used to navigate our world, but had to find his own way through his Palestinian identity. As his pioneering designs achieved worldwide acclaim, his visual art confronted the often-ignored suffering of his lineage. Cook's life journey was the arc of a first generation American
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Untitled Rajie Cook documentary
Rajie Cook designed the visual symbols used to navigate our world, but had to find his own way through his Palestinian identity. As his pioneering designs achieved worldwide acclaim, his visual art confronted the often-ignored suffering of his lineage. Cook's life journey was the arc of a first generation American
Learn more
Array
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[ID] => 475
[title] => Normal Isn't Real: Succeeding with Learning Disabilities & ADHD
[text] => In NORMAL ISN'T REAL, four young adults share their stories of coming to terms with their learning disabilities and ADHD. They differ in backgrounds, strengths, schools, and career choices, but each has become an expert on themselves and what they need to succeed. Viewers witness their talents, frustrations, and strategies for managing their challenges. The results are inspiring and instructive.
[logline] => Dave, Audrey, Nicole and LeDerick share their unique paths to success as young adults who have successfully met and managed the challenges that come with LD/ADHD.
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Normal Isn't Real: Succeeding with Learning Disabilities & ADHD
Dave, Audrey, Nicole and LeDerick share their unique paths to success as young adults who have successfully met and managed the challenges that come with LD/ADHD.
Learn more
Array
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[ID] => 129320
[title] => Eat Bitter
[text] => Thomas, a young local, who survived different armed conflicts, risks his life every day to bring sand to the water’s surface; sand that is used to build a new bank in the country. Thomas barely earns enough money to feed his children. His wife and girlfriend, tired of his immaturity, leave him for good; the city bulldozes the illegal sand market where he works clandestinely; a national curfew is declared by the authorities with rebels attempting to invade the capital during elections. He hits a new low. However, when Thomas discovers that his ex-girlfriend is pregnant, it is a shock. It propels him to turn his life around. Thomas wants to become a boss directly selling the sand he collects to Luan. Is shifting his whole life around already too late?
Suffering in silence for a better future: This is also Luan's choice. He left his family to triple his salary in Bangui three years ago. The bank is Luan’s first project he supervises at his newly joined company, but the work is delayed due to the rainy season, political instability, and labor shortage owing to the pandemic. By sheer force of will and persistence, Luan gets back on track to finish the bank on time. Meanwhile, in China, Luan’s family is falling apart as his wife, who he hasn’t seen for two years, attempts to commit suicide. Luan starts to wonder: Is saving his wife and family a bigger priority than making money? Where is his future?
[logline] => Against the backdrop of civil war in the poverty-stricken Central African Republic, a Chinese construction manager and a local African laborer work on opposite ends of the spectrum to construct a sparkling new bank. As deadlines loom, unexpected twists threaten their jobs, relationships, and plans for a better life.
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Eat Bitter
Against the backdrop of civil war in the poverty-stricken Central African Republic, a Chinese construction manager and a local African laborer work on opposite ends of the spectrum to construct a sparkling new bank. As deadlines loom, unexpected twists threaten their jobs, relationships, and plans for a better life.
Learn more
Array
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[ID] => 125641
[title] => The Unfixing
[text] => After a surfing accident triggers inexplicable symptoms that leave her unable to work or parent her children, she embarks on a quest of self-discovery. Guided by dreams, nature, and wisdom from others, Nicole weaves an immersive diary of destruction, trauma, love, and renewal. Her journey transforms grief into a new story, one that sees loss as an opportunity to forge a future of resilience and togetherness.
[logline] => All change starts with a story.
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Array
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[title] => Acting Like Women
[text] => ACTING LIKE WOMEN is a feature-length documentary about feminist performance art in 1970s-80s Los Angeles. The story is told through the lens of Cheri Gaulke, director and respected performance artist, who at age 21 packed up her rusty Volvo and left the Midwest for the Woman’s Building where groundbreaking new art forms and practices were erupting – ritual, collaboration, social engagement, art as activism, and media intervention. Gaulke's directorial voice builds an intimate narrative where art intersects life as she conjures the spirit of ephemeral art through storytelling and animation. But this is not only her story – it is the herstory of many.
The film reveals an explosive time of change, rich with fascinating artists who understood the “personal is political,” and how art can transform culture. Performance artists were addressing violence against women, body image, rape, spirituality, working, motherhood, and sexuality as their art broke free of the limits of traditional art institutions to effect societal change.
Women today are facing an erosion of many of the rights we fought for in the 1970s and 80s. This film reveals the innovative strategies artists used to inspire today's activism. Many of the artists involved are now in their 60s-90s and some have passed away. This film captures key voices still alive and mentoring a new generation. Now is the time to tell this story before these voices disappear!
[logline] => In 1973, women artists flocked to the Woman’s Building in L.A. – a birthplace for innovative, fearless, and still-relevant feminist performance art that laid a foundation for today’s art and social justice movements. ACTING LIKE WOMEN is a journey into art, activism, and gender told by those who lived it.
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Acting Like Women
In 1973, women artists flocked to the Woman’s Building in L.A. – a birthplace for innovative, fearless, and still-relevant feminist performance art that laid a foundation for today’s art and social justice movements. ACTING LIKE WOMEN is a journey into art, activism, and gender told by those who lived it.
Learn more
Array
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[ID] => 123469
[title] => Battleground
[text] => Set against 2020’s political and social turbulence, ‘Battleground’ follows three women who lead formidable anti-abortion organizations, tracking them through the most crucial turning point in the history of abortion in nearly 50 years. The film explores how the pro-life movement is using the enormous power they’ve coalesced to drive national policy at the highest levels. From the March for Life to the passing of Justice Ginsburg, to the confirmation of Amy Coney Barrett and the election, this timely feature documentary offers a front row seat on the immense influence abortion has on America’s political battlefield.
[logline] => With rare access to three women who lead formidable anti-abortion organizations, Battleground is a feature documentary depicting how the pro-life movement has emerged as a central force in American politics.
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Battleground
With rare access to three women who lead formidable anti-abortion organizations, Battleground is a feature documentary depicting how the pro-life movement has emerged as a central force in American politics.
Learn more
Array
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[title] => May It Be A Girl
[text] => Ulbolsyn, a teenage girl, lives in the outskirts of the big city of Almaty. Her life is firmly invested in the affairs of a large family – caring for siblings, house work, helping in an unstable family business with a grocery store and caring for an aging grandmother; and all of this is mixed with local school. She withstands this seemingly not age-appropriate role assigned to her with calm acceptance, which contrasts so much with the name that she bears: "Ulbolsyn – may it be a boy", following an old tradition of name giving, where the family’s expectations of having boys is expressed. As if one could imagine that her presence in this family could be replaced by another person. However, behind her silence, we see questions and her real feelings being born and multiplied. One day, the anger in Ulbolsyn has grown like a flaming flower blooming, which leads her to the decision to change her name, and start talking and acting the way she wants.
This is a story about nowadays women’s personal search for identity in our patriarchal society within our complicated world.
[logline] => MAY IT BE A GIRL is a film about the personal search for the identity of Kazakh women, who were named, according to an ancient tradition, by their parent’s wishes for them to be born as a son.
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May It Be A Girl
MAY IT BE A GIRL is a film about the personal search for the identity of Kazakh women, who were named, according to an ancient tradition, by their parent’s wishes for them to be born as a son.
Learn more
Array
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[title] => The New York Love Songs
[text] => From the classroom through graduation and a decade beyond, filmmaker and vocalist Darah Golub chronicles her peers. A collection of stories, or volumes of songs, The New York Love Songs interweaves the tales of jazz graduates Melanie Charles, Becca Stevens and Angelo Spagnolo, together with a kaleidoscope of other musicians, as they search for identity, fulfillment and purpose throughout a watershed decade.
[logline] => Millennial musicians journey from jazz school to adulthood as the aughts give way to a new digital frontier in this lyrical and intimate odyssey shot over 15 years.
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The New York Love Songs
Millennial musicians journey from jazz school to adulthood as the aughts give way to a new digital frontier in this lyrical and intimate odyssey shot over 15 years.
Learn more
Array
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[ID] => 155821
[title] => Two Things Are True
[text] => Filmmaker Sarah Hanssen finds herself in possession of her deceased father’s abstract expressionist paintings. Growing up in his studio, surrounded by the smells of gin and turpentine, ever-shifting canvases, and a string of young girlfriends, the works contain mixed messages of obsession, secrets, freedom, and selfishness. Something doesn’t feel right about displaying these paintings around her home anymore, as if they are haunted objects, holding her back. After a lifetime of suppression, the time has come to confront the secret of sexual abuse. The filmmaker embarks on a journey to paint in what is missing: the tortured artist, nude women, cigarettes, ashtrays, beer cans, gin bottles, various pets, raucous house guests, and herself. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, and the destruction of a devastating mythology and healing through collaborative creative expression. Many of these individuals are sharing their own experiences with trauma along the way.
[logline] => In an attempt to confront childhood sexual trauma, filmmaker Sarah Hanssen decides to revise the abstract expressionist paintings of her deceased father. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, the destruction of a devastating mythology,
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Two Things Are True
In an attempt to confront childhood sexual trauma, filmmaker Sarah Hanssen decides to revise the abstract expressionist paintings of her deceased father. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, the destruction of a devastating mythology,
Learn more
Array
(
[ID] => 149648
[title] => ISKRA (Spark!)
[text] => I have been a film sound recordist most of my life. I have listened to thousands of people’s voices recount their stories into my recorder, and touch audiences around the globe. After decades of recording other people’s voices, this is mine.
My father was an alchemist who turned transistors and cables into emotions and dreams. He worked at Iskra (‘spark’ in English), the legendary Yugoslav telecommunications company, the Apple of its day. Being different was baked into Iskra’s DNA and the country’s “non-alignment” was the defining signature of Iskra.
Our journey of discovery begins with my father but is cut short when he is diagnosed with dementia. I seek out others instead, from East and West.
Weaving in and out of past and present, with unique archive, our tale unfolds: in the 40s Iskra pledged to put their own 35mm projectors into every town in Yugoslavia. One of Iskra’s most celebrated engineers, now 105, was the first woman with an electro-technical degree and a film pioneer. In the 80s it boasted a computer department bigger than Microsoft. Through Iskra, the West could safely do business with the East. In 1988 Gorbachev visited it to understand this Yugoslav ‘cash cow and the recipe for success in doing business with the West.’
Do those that burn twice as bright do so for half as long?
Iskra was so intertwined with Yugoslavia that when the country descended into war, Iskra went with it. Born together in 1946, their fate was inextricably linked.
[logline] => Before Silicon Valley, Apple and Google, before Microsoft and Bill Gates, there was Yugoslavia and ISKRA. Overlooked and underrated, the non-aligned Yugoslav tech giant allowed East to connect with West. It was pioneering and avant-garde. Then... it suddenly disappeared.
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ISKRA (Spark!)
Before Silicon Valley, Apple and Google, before Microsoft and Bill Gates, there was Yugoslavia and ISKRA. Overlooked and underrated, the non-aligned Yugoslav tech giant allowed East to connect with West. It was pioneering and avant-garde. Then... it suddenly disappeared.
Learn more
Array
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[title] => KILLFACE
[text] => KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter. Filmed up close, with no narration, and very little dialogue, the film follows featherweight Muay Thai champion Natalie “Kill Face” Morgan’s ‘fight camp’ training. Privileging the sound of Morgan’s breath and keeping her centered in the frame, KILLFACE intentionally limits what we are able to see and hear, and invites audiences to experience an exhaustive and visceral exploration of power. It also puts attention to how gendered violence echoes within the act of observing women engaged in combat, even when it's not present in the story.
[logline] => KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter.
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[link] => https://www.wmm.com/sponsored-project/killface
)
KILLFACE
KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter.
Learn more
Array
(
[ID] => 160463
[title] => None of This Matters
[text] => Shaina Feinberg is in the midst of a personal crisis – juggling a flailing film career and the unrelenting demands of motherhood. At her lowest, she seeks out guidance from Joan Darling, an octogenarian director who has retired to Maine. During her first visit, Shaina realizes that Joan has influenced hundreds of artists over the past 60 years; from Mary Tyler Moore to Lesli Linka Glatter (Mad Men, Homeland) and the Daniels (Everything Everywhere All At Once). Shaina films Joan over several years, eventually uncovering Joan's one regret: that she never got to make the book "The Tortilla Curtain" into a film. On the cusp of Joan's 90th birthday, Shaina races against the clock to enlist Joan's past mentees to fulfill this dream.
[logline] => Amidst a personal crisis, filmmaker Shaina Feinberg reaches out to trailblazing director and teacher, Joan Darling. What unfolds over years of filming is an intimate, hilarious portrait of a mentorship, that goes beyond career guidance to become a meaningful friendship and a master class on how to be.
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None of This Matters
Amidst a personal crisis, filmmaker Shaina Feinberg reaches out to trailblazing director and teacher, Joan Darling. What unfolds over years of filming is an intimate, hilarious portrait of a mentorship, that goes beyond career guidance to become a meaningful friendship and a master class on how to be.
Learn more
Array
(
[ID] => 103772
[title] => Presente!
[text] => PRESENTE! follows the journey of Magda Gomes, a young Black woman born in Rocinha, the second largest favela in Brazil. Actively organizing in her community since she was a teenager, Magda has worked as a volunteer for many social projects, has begun several of her own, and, today, after a brief period working as a parliamentary aid at the Rio de Janeiro City Council, is contemplating her next move. Should she enter the complex game of party politics and take the first steps on the path toward one day becoming a congresswoman, governor, or, who knows, the first Black woman to be president of the country? Or should she bring her focus back to community social projects, where her freedom to act is greater, and the impact of her actions would be more visible and immediate?
Seeking role models and inspirations, Magda looks to several other Black women, who have risen up in the world of Brazilian politics following the shocking murder of city councilwoman Marielle Franco, known for her human rights advocacy and fight against police brutality. These women include Anielle Franco, Marielle’s sister, founder of the Marielle Franco Institute, and the current Minister of Racial Equality in President Lula’s administration; Talíria Petrone, one of the main Black female political leaders of the country, who has served two terms as a city councilwoman and two terms as a federal congresswoman; and Mônica Francisco, a progressive Evangelical pastor who was unable to win reelection upon completing her first term as a state congresswoman.
Within a hostile political environment where they face frequent threats and their voices and bodies are under constant attack, these women continue fighting to keep Marielle’s legacy alive.
[logline] => Five years after the assassination of Marielle Franco, a young community leader born in the favela of Rocinha, Magda Gomes, follows the journeys of Black women in Brazilian politics as she contemplates which path to take toward her future.
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Presente!
Five years after the assassination of Marielle Franco, a young community leader born in the favela of Rocinha, Magda Gomes, follows the journeys of Black women in Brazilian politics as she contemplates which path to take toward her future.
Learn more
Array
(
[ID] => 155739
[title] => Cosmic Moose and Grizzly Bears Ville
[text] => My uncle Peter Zak Valentine was born on Valentine’s Day 82 years ago and died in his basement in August of 2022. Long ago diagnosed as paranoid schizophrenic but choosing to live his life unmedicated, Peter lived independently, riding the edge between mental illness and magic. Peter was an eccentric, beloved, and respected local legend of the city of Cambridge.
The film follows Peter’s unusual journey, weaving around the extraordinary events surrounding his house, MIT, and the city of Cambridge. In the late 1980's, Peter was not the owner of his rent controlled three-story house. It was divided into apartments, and he rented one of them, living on disability payments. When MIT wanted to demolish his neighborhood to develop and build University Park, Peter refused to move, insisting that he could not leave his apartment because it was his laboratory for research on Electromagnetic Arts, a psychic defense system he had created, developed, and taught. After seven years of Peter’s insistence and many legal hearings, MIT physically moved his house 900 ft to Central Square, positioning it at the exact odd angle which he specified. They also sold the entire house to Peter for a dollar. The rest of the neighborhood was demolished and MIT moved forward with their development of University Park.
The MIT story brings in many larger conversations and questions which are woven throughout the film, specifically around themes of gentrification, rent control, and the increased, looping level of housing shortage that cities such as Cambridge face.
[logline] => Peter Valentine, living on disability in an apartment, fought MIT while they demolished his neighborhood to develop University Park, claiming he couldn’t leave because it was his electromagnetic laboratory. Eventually, MIT gifted him the entire building, moving it to another street. Peter was diagnosed schizophrenic and unmedicated all his life.
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Cosmic Moose and Grizzly Bears Ville
Peter Valentine, living on disability in an apartment, fought MIT while they demolished his neighborhood to develop University Park, claiming he couldn’t leave because it was his electromagnetic laboratory. Eventually, MIT gifted him the entire building, moving it to another street. Peter was diagnosed schizophrenic and unmedicated all his life.
Learn more
Array
(
[ID] => 123749
[title] => ithaka
[text] => Filmed over two years across the UK, Europe and the US, this documentary follows 76 year-old retired builder, John Shipton’s tireless campaign to save his son, Julian Assange.
The world’s most famous political prisoner, WikiLeaks founder Julian Assange has become an emblem of an international arm wrestle over freedom of journalism, government corruption and unpunished war crimes.
Now with Julian facing a 175 year sentence if extradited to the US, his family members are confronting the prospect of losing Julian forever to the abyss of the US justice system.
This David-and-Goliath struggle is personal – and, with Julian’s health declining in a British maximum-security prison and American government prosecutors attempting to extradite him to face trial in the US , the clock is ticking.
Weaving historic archive and intimate behind-the-scenes footage, this story tracks John’s journey alongside Julian’s fiancee, Stella Moris as they join forces to advocate for Julian. We witness John embark on a European odyssey to rally a global network of supporters, advocate to politicians and cautiously step into the media’s glare - where he is forced to confront events that made Julian a global flashpoint.
Ithaka provides a timely reminder of the global issues at stake in this case, as well as an insight into the personal toll inflicted by the arduous, often lonely task of fighting for a cause bigger than oneself.
[logline] => This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
The campaign to free Julian Assange takes on intimate dimensions in this documentary portrait of an father's fight to save his son.
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ithaka
This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
The campaign to free Julian Assange takes on intimate dimensions in this documentary portrait of an father's fight to save his son.
Learn more
Array
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[ID] => 461
[title] => A Place of Absence
[text] => In A Place of Absence, filmmaker Marialuisa Ernst travels with the Caravan of Mothers of Missing Migrants on their annual 2,500-mile bus trek through Mexico, desperately searching for their sons and daughters who vanished without a trace trying to reach the U.S. Along the migrant route, this brave group of Central American women visit strip clubs and jails, flashing portraits of their missing children, and go to mass graves, demanding that bones be exhumed for DNA testing. Propelling the filmmaker on this journey with the mothers is her own experience with unresolved grief. Marialuisa’s uncle disappeared during Argentina’s Dirty War in the 1970s. Seamlessly shifting between past and present, desert and forest, and political and personal dimensions, this lyrical film captures the strength arising from female solidarity and maternal love. It reminds us of the invisible threads that trespass borders, binding us together as human beings like the root systems of trees. When a loved one disappears their entire ecosystem is altered.
[logline] => Decades after the disappearance of her uncle during Argentina’s Dirty War, a filmmaker joins the Caravan of Mothers, a group of brave Central American women who embark on an annual bus trek through Mexico in desperate search of their children who disappeared trying to reach the US.
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A Place of Absence
Decades after the disappearance of her uncle during Argentina’s Dirty War, a filmmaker joins the Caravan of Mothers, a group of brave Central American women who embark on an annual bus trek through Mexico in desperate search of their children who disappeared trying to reach the US.
Learn more
Array
(
[ID] => 497
[title] => The Long View
[text] => The Long View documentary tells the story of the sustained community organizing effort to transform schools in Oakland, California, offering a window into a decade’s worth of learning about the ebbs and flows of change in a community and school district. By following the collective efforts of students, educators, and families, the film shows how grassroots community organizing is a powerful tool for low-income communities and communities of color to rectify inequities in the education system. It provides a window into the challenges facing schools throughout the country, including changing leadership and chronic under-funding, and elevates the power of educators, families, and students to create and sustain a shared vision of student and school success.
At an Oakland screening, Dr. Linda Darling-Hammond told the audience of parents, educators, community members, and organizers: “I feel so privileged and pleased to be here because this film and all the work that you have been doing for many decades is really a testament to what we should be doing in every community in the country.”
Audiences at screenings in cities such as Philadelphia, New York, Providence, Denver, and Detroit have been moved by the stories in The Long View. In the challenges and triumphs of Oakland, they see their own struggles to advance education justice.
“Your film not only gives voice to education stakeholders who have been unheard in the dialogue around school reform, but also spotlights the inequities that continue to plague our schools.” Liz Davis, President, Washington DC Teachers’ Union
[logline] => One community's struggle to create schools that work for all its students.
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[large] => https://www.wmm.com/uploads/2018/12/the-long-view-screen-image.png
[large-width] => 1024
[large-height] => 581
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[1536x1536-width] => 1536
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[2048x2048] => https://www.wmm.com/uploads/2018/12/the-long-view-screen-image.png
[2048x2048-width] => 2048
[2048x2048-height] => 1162
[woocommerce_thumbnail] => https://www.wmm.com/uploads/2018/12/the-long-view-screen-image-300x300.png
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[woocommerce_thumbnail-height] => 300
[woocommerce_single] => https://www.wmm.com/uploads/2018/12/the-long-view-screen-image.png
[woocommerce_single-width] => 600
[woocommerce_single-height] => 340
[woocommerce_gallery_thumbnail] => https://www.wmm.com/uploads/2018/12/the-long-view-screen-image-100x100.png
[woocommerce_gallery_thumbnail-width] => 100
[woocommerce_gallery_thumbnail-height] => 100
)
)
[link] => https://www.wmm.com/sponsored-project/the-long-view
)