While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Anne Sexton:
Tell Me Your Answer True
She loved life and yearned for death. Anne Sexton, the Pulitzer Prize-winning writer, ‘one of the most important American poets of her generation’ was encouraged to write as an antidote to her open struggle with social convention, mental illness, and suicidal ideation. For the first time, a film follows the paths of this fascinating woman poet.
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Myself When I Am Real
Set in the year 2000, MYSELF WHEN I AM REAL is an experimental short film about a working mother and her teenage daughter who struggle to make friends and find belonging in a small Wisconsin town. It explores otherness, identity, and assimilation from the contrasting perspectives of childhood and adulthood.
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The In Between
The in Between is a portrait of a unique community that follows the exceptional but very normal lives of the citizens of the sister cities of Eagle Pass, Texas and Piedras Negras, Coahuila along the U.S. / Mexico border, offering an intimate look into the heart of Mexican-American identity.
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Libertad (Working Title)
Alejandra, an Indigenous, transgender woman from Oaxaca, Mexico prepares to visit her hometown to reunite with her mother for the first time after 28 years in the United States. Alejandra's homecoming journey is explored through the multiple communities she identifies with as she calls for solidarity and mutual liberation.
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Home Court
HOME COURT traces the ascent of Ashley Chea, a basketball prodigy whose life intensifies amid recruitment, injury, and triumph throughout her high school years.
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I Love Bed-Stuy
Like many American neighborhoods, Bedford-Stuyvesant is quickly gentrifying, losing access to its own culture, history and residents. In this vibrant hybrid documentary, a budding fictional love story is the silver lining, as real-life residents’ fight to save a historical building becomes a microcosm for a deeper look into 3rd wave
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Presente!
Five years after the assassination of Marielle Franco, a young community leader born in the favela of Rocinha, Magda Gomes, follows the journeys of Black women in Brazilian politics as she contemplates which path to take toward her future.
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We Arrive With Fire | Ne-kah Nuue'm Mehl Mech
Since time immemorial, Yurok people have placed fire on the land to maintain a balanced ecosystem. In the past century, settlers banned fire and the environment and people have suffered. Now, Yurok people are returning fire medicine to heal the land.
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Untitled Indigenous vs. White Supremacy Ideology Film
There is an EPIDEMIC occurring in the United States and no one knows about it. From 2016 through 2019, over 19,000 Native American women and teenage girls have vanished and/or were murdered. Most of these crimes are never solved.
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JIMMY
JIMMY (w.t.) is a magical escape into the life and mind of celebrated sculptor, James Grashow, as he creates his magnum opus. The intricately carved work contrasts writhing demons with images of salvation, and mirrors Jimmy’s paradoxical struggle to reckon with the fragility of life and his zest for it.
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In Balanchine's Classroom
Balanchine’s former dancers reveal startling new facets of the legendary choreographer as they open the door to his private classroom - his laboratory, set against their present-day efforts to keep his legacy alive.
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How to Build a Library
Two tenacious Kenyan women are transforming a dilapidated, junk-filled library in downtown Nairobi. But first they must work with local government, raise several million dollars for the rebuild, and confront the ghosts of a problematic colonial history still trapped within the library walls.
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Darcelle
Until her passing in 2023, Darcelle XV was the World’s Oldest Performing Drag Queen. DARCELLE is the story of a single life. But it’s also the story of how tenacity and bravery in the face of unrelenting prejudice, changed lives and opportunities for generations to come.
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Anything You Lose
Realities of Assisted Reproduction test the strength of Eddie & Irina’s marriage, when the optimistic newlyweds set out to become new parents.
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