While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Bought/Broken
“Bought/Broken” is an interactive experience that examines the relationships and violence of abuse through the lens of objects bought, broken and repaired, evoking memories through objects and exploring the idea of gain and loss. I have been compositing the experiences and stories of domestic violence survivors.
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Take Me Home
Anna, a 38-year-old Korean adoptee with a cognitive disability, cares for her aging parents in a fragile balance of meeting each others’ needs. When a Florida heat wave shatters their family and Anna’s routine, her future is uncertain - until she creates a world where she can thrive.
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Coexistence, My Ass!
Noam Shuster Eliassi grew up the literal poster child for the Israeli-Palestinian peace process before making a hard pivot to stand-up comedy and political satire. But as the region sinks deeper into devastating violence, she must meet the moment by challenging people with hard truths that are no laughing matter.
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See the Women
The daughter of an influential Native American activist raised in the center of the indigenous, political movement of the 70s, reclaims her identity as an activist and Indigenous woman by addressing the trauma that many women and children face, the one blind spot in her father’s own activism.
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Two Things Are True
In an attempt to confront childhood sexual trauma, filmmaker Sarah Hanssen decides to revise the abstract expressionist paintings of her deceased father. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, the destruction of a devastating mythology,
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Somewhere Over the Rainbow
When an Indian filmmaker turns the camera on her fragmented family and her childhood mentor, a white British man, she uncovers the complex legacies of love and colonisation. Set between inherited duty and chosen identity, the film is an absurd excavation of what it means to belong.
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Being Olimpia
After creating a groundbreaking law against cyberviolence, Olimpia wages an internal battle to heal her wounds and reclaim her name.
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DEMOCRACY UNDER SIEGE
With innovative dark humor, DEMOCRACY UNDER SIEGE examines how the promise of an American multiracial democracy faces a renewed backlash, culminating in the very real fears of an actual authoritarian takeover.
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Sitting Still
Artist, scholar, architect, landscape architect, professor, author, urban visionary, and unparalleled designer of cities, Laurie Olin is a true Renaissance man who, along with world-renowned architect Frank Gehry, takes us on a visual, eye-opening journey through natural and built environments, revealing the connective tissue for creating healthy and humane societies.
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Here, the Silence is Heard
Gabriela's family escaped the Chilean dictatorship when her grandfather's life was in serious danger. 50 years later, Gabriela, who has inherited the trauma despite her being raised in Spain, returns to reopen the doors of the home they left behind.
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#WhileBlack
Witnesses who filmed the deaths of George Floyd, Philando Castile, and others, step forward in this ground-breaking documentary about the police brutality videos igniting global movements. Few realize how witnesses must battle online trolls, surveillance firms, and exploitative social media platforms turning their pain into profit.
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AKA Doris Wishman
In a world dominated by male filmmakers, delve into the enigmatic journey of a trailblazing American woman who redefined cinema through her groundbreaking contributions to the realm of sexploitation films.
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999: The Extraordinary Young Women on the First Official Transport to Auschwitz
“66% of millennials cannot say what Auschwitz was” even fewer know that the first Jewish transport to Auschwitz was 999 teenage girls and young women. Discover the truth behind this historical #MeToo moment and meet three survivors of the first transport, who are in their 90s, and their families.
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The Island in Me
Homecoming follows two women Johnny Frisbie and Amelia Borofsky who, after decades away, return to their beloved childhood atoll of Pukapuka in the South Pacific. The film reveals a unique story of love, survival and indigenous resiliency in the midst of rising tides and migration.
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The Gas Station Attendant
Telephone conversations the filmmaker recorded with her father while he worked nights at a gas station reveal a remarkable journey, from living on the streets of India to a chance encounter that would bring him to the United States.
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Wittig, Yes!
More than 50 years ago, Monique Wittig, acclaimed writer, theorist, and lesbian feminist icon, dared to envision a world beyond gender. Told by her lifelong partner Sande Zeig, Wittig, Yes! unveils the synthesis of Wittig's public and private personas, tracing the origins of her groundbreaking theories.
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Paper City
Paper City tells the story of three survivors of the 1945 fire-bombing of Tokyo as they launch one final campaign to leave behind a record of this forgotten tragedy—before the last of them passes away.
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