While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
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[ID] => 118185
[title] => The Martha Mitchell Effect
[text] => In 1977 former President Richard Nixon told television interviewer David Frost, “If it hadn’t been for Martha, there’d have been no Watergate…” So, who was this infamous woman – and what was behind this bold claim?
Martha Mitchell was the wife of Nixon’s Attorney General John Mitchell, who many believed to be the second most powerful man of the time. She boldly spoke her mind to eager reporters about the dirty tricks of the administration, and her outspokenness cost her dearly. Gas-lighted and discredited by the administration; it was female journalists who took her stories and allegations seriously.
Martha Mitchell has mostly been forgotten by history. Her name may be best known for a psychiatric misdiagnosis coined the “Martha Mitchell Effect”, where patients are labeled delusional, when in fact they are telling the truth.
THE MARTHA MITCHELL EFFECT tells the story of one woman who spoke inconvenient truths and was summarily dismissed. Sadly, this pattern continues for women nearly fifty years later. But it is also a larger tale of the impact of political dirty tricks on American society. What happens when we dismiss warnings because they are deemed illegitimate by the powers that be? On the heels of two unprecedented Presidential impeachments and rampant political corruption, the time to revisit Martha’s tale couldn’t be more prescient.
[logline] => She was once as famous as Jackie O. And then she tried to take down a President. Martha Mitchell was the unlikeliest of whistleblowers: a Republican cabinet wife who was discredited by the Nixon Administration in 1972 to keep her quiet. Until now.
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The Martha Mitchell Effect
She was once as famous as Jackie O. And then she tried to take down a President. Martha Mitchell was the unlikeliest of whistleblowers: a Republican cabinet wife who was discredited by the Nixon Administration in 1972 to keep her quiet. Until now.
Learn more
Array
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[ID] => 156228
[title] => Blind AF
[text] => While working as a paramedic in 2009, Shawn Cheshire, a 36-year-old Army veteran and single mother of two, suffered a brain injury that left her completely without sight. Spiraling into a debilitating suicidal depression, Shawn sought treatment at a VA hospital where, through a combination of adaptive sports and treatment for Complex PTSD, she chose to rebuild her life while facing painful memories of the past for the first time. Within three years Shawn was competing at the 2016 Paralympic games in Rio and goes on to become a 13-time paracycling US National Champion, as well as world-record holder of the Grand Canyon crossing by a blind person.
Driven as much by the determination to live independently as by the restlessness and vulnerability borne of trauma, in 2021 Shawn embarks on an historic and perilous adventure of riding a single bike across the United States. As Shawn pedals east, her history and rich, introspective emotional life are revealed through the film’s use of animation, excerpts from her journal entries, interviews, therapy sessions and archival footage. Together, these elements give depth and texture to Shawn’s long road to healing and place the traumatic brain injury she endured in the context of a lifetime of pain and loss.
Blending poetic cinematography and intimate verité with immersive POV animation and sound design that brings the viewer inside her world, Blind AF is at once a thrilling epic of athletic achievement and a transformative portrait of emotional resilience and bravery.
[logline] => A blind female Paralympic champion and world-record holder sets out to become the first blind person to ride a single, non-tandem, bike across the US, while confronting painful truths about her past that she’s spent a lifetime trying to outrun. Blind AF is about trauma, transcendence and power of self-belief.
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Blind AF
A blind female Paralympic champion and world-record holder sets out to become the first blind person to ride a single, non-tandem, bike across the US, while confronting painful truths about her past that she’s spent a lifetime trying to outrun. Blind AF is about trauma, transcendence and power of self-belief.
Learn more
Array
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[ID] => 119418
[title] => The Woman Who Poked The Leopard
[text] => The film opens with home footage of Dr. Stella Nyanzi and her children pouring sherry in a crowded apartment in exile. They read the poem that landed Stella in jail. It narrates Museveni’s four-decade reign over Uganda against archival footage. Behind bars, Stella loses an unborn child to torture. When discharged from prison wearing a “fuck oppression” sash, she briefs the press.
Stella undertakes a parliamentary campaign through slums, markets, and trading centers. She connects with Kampala’s working class. People are torn between their faith in her and their religious scorn for her queer allyship. Police besiege her home and she resists them with profanities and her walking cane. Her children accuse her of being unavailable, but Stella does not falter. She wants understanding from those she loves. Her community asks why she doesn’t join Bobi Wine’s party for a sure victory.
Stella loses elections. Her children unhappy, her lover estranged, she remains traumatized. Stella’s parents’ deaths have not been avenged. She turns to family life, but the state still torments her. Resisting another arrest, she burns her parents’ secrets and flees. She leaves her lover behind. In exile, Stella’s activism burgeons. Her children evolve. Stella persists.
[logline] => After a life of radical activism that lands her in jail, Ugandan Queer rights academic and poet Stella Nyanzi runs for parliament. Police brutality and tragedies that follow force her to choose between her children’s safety and the revolution.
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The Woman Who Poked The Leopard
After a life of radical activism that lands her in jail, Ugandan Queer rights academic and poet Stella Nyanzi runs for parliament. Police brutality and tragedies that follow force her to choose between her children’s safety and the revolution.
Learn more
Array
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[ID] => 148274
[title] => The Day Iceland Stood Still
[text] => When almost all the women of Iceland walked off the job and out of their homes one fall morning in 1975 refusing to work, cook, or take care of the children, they brought their country to its knees and catapulted the island nation to its status as one of the best places in the world today to be a woman. Told for the first time by the women themselves and timed for release in the lead-up to the strike’s 50th anniversary, the story is subversive and unexpectedly funny. “We loved our male chauvinist pigs,” recalls one of the activists, “We just wanted to change them a little!” This is the true story of one day that changed everything. The Day Iceland Stood Still is a collaboration between U.S. director Pamela Hogan, who campaigned as a high school student in the 1970s with her activist mother to pass the Equal Rights Amendment, and Icelandic producer Hrafnhildur Gunnarsdóttir, who at the age of 7 accompanied her mother to that very strike in 1975 and thought that when she woke up the next morning “everything would be perfect.” The E.R.A. never passed in the U.S., and Iceland still isn’t perfect – but it’s the only country to have closed over 90% of its gender gap, and committed to reaching full equality in the near future. There’s a famous saying: “The only thing new in the world is the history you do not know.” We hope this story will inspire viewers all over the world to reimagine the possible.
[logline] => When 90% of Iceland’s women walked off the job and out of their homes one morning in 1975 the country came to a standstill. Unexpectedly funny and told for the first time, this is the true story of one day that catapulted Iceland to the world’s superpower of gender equality.
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The Day Iceland Stood Still
When 90% of Iceland’s women walked off the job and out of their homes one morning in 1975 the country came to a standstill. Unexpectedly funny and told for the first time, this is the true story of one day that catapulted Iceland to the world’s superpower of gender equality.
Learn more
Array
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[ID] => 147398
[title] => Grassland
[text] => GRASSLAND is a topical and riveting social justice drama about the criminal justice system and marijuana incarceration rates. The narrative film, which is led by Mía Maestro, Quincy Isaiah, Jeff Kober and Ravi Cabot-Conyers, is set in 2008 and explores both the economic recession and the inequities of incarceration rates of the era. The story follows Leo, an inquisitive and sensitive Latino boy (Cabot-Conyers), who puts his single mother’s (Maestro) illegal marijuana business at risk when he befriends the new neighbors, a young white boy and his police officer grandfather (Kober).
[logline] => Exploring the failures of the criminal justice system from a unique angle, GRASSLAND follows a young Latino boy who puts his single mother's illegal marijuana business at risk when he befriends the new neighbors.
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Grassland
Exploring the failures of the criminal justice system from a unique angle, GRASSLAND follows a young Latino boy who puts his single mother's illegal marijuana business at risk when he befriends the new neighbors.
Learn more
Array
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[ID] => 80464
[title] => Extreme Animal Transport
[text] => This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
Extreme Animal Transport is an adventure series that follows a specialist team gathered from around the world as they transport large, exotic, animals traveling across borders. Each journey is extreme, documenting the ambitious lengths that animal keepers, vets, drivers, and logistics experts go to in order to get their precious cargo from point A to point B safely. The animals are transported from far and wide. Each journey raises awareness of an issue the species faces including habitat destruction, climate change, and pollution. Some will be leaving life-threatening situations for rehabilitation. Others will be endangered species moving for breeding programs and a lucky few will be preparing for life back in the wild as part of re-wilding programs. We capture wild-to-wild translocations with the world's best animal transportation specialists moving herds of wild elephants and rhinos across international borders where they can be protected from poaching, and then there are the zoos that need evacuating from war zones. Every move has a story. There is always a strong emphasis on the well-being of the animals. The drama and points of difficulty are always about the people dealing with trying circumstances. Vehicles breaking down, extreme weather and road conditions, time restrictions, lack of sleep and tension between key talent. Organizations such as the Humane Society International, Animal Advocacy and Protection, Four Paws, Elephants Rhinos People are just some of those featured in the series.
[logline] => What does it take to move wild animals across international borders? Every move has a story. We follow the journey to a new life.
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[link] => https://www.wmm.com/sponsored-project/extreme-animal-transport
)
Extreme Animal Transport
What does it take to move wild animals across international borders? Every move has a story. We follow the journey to a new life.
Learn more
Array
(
[ID] => 164078
[title] => God is a Pelican
[text] => “God is a Pelican” follows two queer middle-school girls, Madi and Josie, who both recognize they are different from other students, and don’t fit into the religious white suburbia around them. They decide to create their own religion, a religion for the weirdos and “others” of the world.
The religion they create is rooted in magic and play, while also a critique of institutional structures that have historically excluded queer people. Through this film, the girls reclaim certain aspects of religion like unconditional love and community, using it as a tool to bring queer and “othered” kids together.
However, as the religion grows and their misfit disciples gather, tension builds between them. Madi, as the figurehead of the religion, becomes more confident, both in her strangeness and queerness, while Josie’s jealousy and insecurity grows as she feels Madi slipping away. Finally, after playground sermons, midnight pond baptisms, and unruly followers, the religion sparks a school-wide panic, which ultimately leads to a Judas-like betrayal.
Our film is inspired by a fact Carmela's Catholic School told her growing up: a pelican will rip off its own flesh to feed it’s blood to its children. The school used the pelican as their mascot, claiming it as a parallel to Jesus sacrificing his own flesh and blood to save humanity. The pelican will be a constant motif throughout the film, and serve as an integral player and divine presence in the religion.
[logline] => “God is a Pelican” is a stop-motion animated short that follows two misfit middle-school girls’ intense, queer, and turbulent friendship as they create their own religion.
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[link] => https://www.wmm.com/sponsored-project/god-is-a-pelican
)
God is a Pelican
“God is a Pelican” is a stop-motion animated short that follows two misfit middle-school girls’ intense, queer, and turbulent friendship as they create their own religion.
Learn more
Array
(
[ID] => 452
[title] => Bought/Broken
[text] => “Bought/Broken” is an interactive experience that examines the relationships and violence of abuse through the lens of objects bought, broken and repaired, evoking memories through objects and exploring the idea of gain and loss. Since Fall of 2014, I have been compositing the experiences and stories of domestic violence survivors, whose personal items were broken during an altercation, bought out of remorse, or rebuilt after leaving the relationship. The stories behind the objects are from people whose partners belittled, threatened, or hurt the - people from many ages and socio-economic backgrounds.
The nature of the objects reflects the escalation of control through emotional and then physical violence. The project has three parts: Workshops, Film, and Installation.
People can submit or tag their own bought, broken or repaired objects. The “repaired” objects relate to how people transcend their trauma to hopefully reach peace or closure.
[logline] => “Bought/Broken” is an interactive experience that examines the relationships and violence of abuse through the lens of objects bought, broken and repaired, evoking memories through objects and exploring the idea of gain and loss. I have been compositing the experiences and stories of domestic violence survivors.
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)
[link] => https://www.wmm.com/sponsored-project/bought-broken
)
Bought/Broken
“Bought/Broken” is an interactive experience that examines the relationships and violence of abuse through the lens of objects bought, broken and repaired, evoking memories through objects and exploring the idea of gain and loss. I have been compositing the experiences and stories of domestic violence survivors.
Learn more
Array
(
[ID] => 161292
[title] => Providencia
[text] => Deep in a lush valley of the Colombian Andes, where the scars of a violent history still linger, thousands of people are quietly forgetting who they are.
After her brother is killed in a conflict that has raged on for generations, Paola watches her mother and other members of her family mysteriously lose their memory by the time they reach middle age. What Paola doesn’t yet know is that this mysterious pattern is part of something much larger. In the region of Antioquia lives the world’s largest known family with a genetic mutation for early-onset Alzheimer’s disease.
As Paola searches for answers, local researchers Dr. Francisco Lopera and Dr. Lucía Madrigal race against time, and against deep-rooted cultural and systemic barriers, to unlock the potential cure hidden in the DNA of this family, while the world finally begins to take notice.
Providencia is a story told through an ensemble of deeply human lives that converge for a collective story, of not just medical science or individual destiny, but of resilience. Far from a tragedy, the film is a testament to perseverance, and the power of community. Audiences will leave not with despair, but with awe for the scientific journey and a renewed sense of what it means to truly live, as Colombians have done through every kind of adversity for generations.
[logline] => When a Colombian woman confronts a genetic legacy of early-onset Alzheimer’s, her family's fate becomes entwined with scientists racing for a cure, before memory itself disappears.
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[link] => https://www.wmm.com/sponsored-project/providencia
)
Providencia
When a Colombian woman confronts a genetic legacy of early-onset Alzheimer’s, her family's fate becomes entwined with scientists racing for a cure, before memory itself disappears.
Learn more
Array
(
[ID] => 103000
[title] => Milisuthando
[text] => ‘Milisuthando’ is a portrait of me and South Africa, growing up together in the aftermath of apartheid. The moment one realizes they are black in the world is always traumatic. This film is the scenic route of my coming down from that moment. In it, I am tracing who I was before I entered the white world, who I became when I was inside it, and finally, what kind of human being can I be outside of its bounds? Throughout, I am exploring whether it is possible to live out the meaning of my name, Milisuthando (be the love where there is none), in a society where the laws have changed but people’s hearts remain locked in racial conditioning. The film takes place in Three Universes. Over Three Decades. Exploring Three Selves. Driven by my exploratory narrative voice and a compelling cast of my family, friends, foes, and some historical figures, the film braids these universes across time in a non-linear manner, meditating on difficult questions about power, fear, love and unrequited grace. Sometimes observational, sometimes verite, the story unfolds inside my own subjectivity, memory, and the relationships and spaces I share with the people in these universes.
[logline] => ‘Milisuthando’ is a coming-of-age personal essay film on love and what it means to be human in the context of race, explored through the memories of Milisuthando – who grew up during apartheid but didn’t know it was happening until it was over.
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[link] => https://www.wmm.com/sponsored-project/milisuthando
)
Milisuthando
‘Milisuthando’ is a coming-of-age personal essay film on love and what it means to be human in the context of race, explored through the memories of Milisuthando – who grew up during apartheid but didn’t know it was happening until it was over.
Learn more
Array
(
[ID] => 479
[title] => The Rabbis' Intifada
[text] => American filmmaker Heather Tenzer embarks on a journey to find out why a group of devout New York and Jerusalem rabbis are engaged in an intifada (Arabic for ‘uprising’) against Israel and in support of Palestinians.
Founded 80 years ago in Jerusalem, Neturei Karta is the only religious Jewish group publicly speaking out in support of Palestinian rights. As a result of their activism, they’re regularly beaten on the streets.
This feature-length documentary, equal parts memoir, investigative, and historical, combines narration, home movies, interviews, and archival films to tell the story of Tenzer’s journey into Neturei Karta’s community.
Tenzer first encounters Neturei Karta when she is a teen marching in New York’s Israel Parade. “Free Palestine!” they chant. “Just ignore them!” the rabbi of her school urges. For many years, she does.
Tenzer reunites with Neturei Karta years later in Jerusalem. What’s motivating these socially conservative Yiddish-speaking religious men to protest Israel’s bombing of Gaza?” she wonders. Intrigued, she attempts to unravel the mystery of their activism, where it comes from – a story she never learned in religious school.
She follows four activists inside their Jerusalem and New York communities and on their travels to Gaza. Through the lens of their diverse, intergenerational voices, the rabbis share compelling stories, offering a nuanced narrative about their unique history.
[logline] => Why is a group of Orthodox rabbis supporting Palestinians and calling for Israel's dismantlement? An American Jewish woman struggles to unravel the mystery of their activism.
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[link] => https://www.wmm.com/sponsored-project/the-rabbis-intifada
)
The Rabbis' Intifada
Why is a group of Orthodox rabbis supporting Palestinians and calling for Israel's dismantlement? An American Jewish woman struggles to unravel the mystery of their activism.
Learn more
Array
(
[ID] => 148970
[title] => Women of My Life
[text] => Crimes are being committed in all social classes against girls and women in Baghdad. Particularly since the American war and occupation of Iraq. Subconsciously all women feel threatened that they can be the next victim of violence at any moment.
This reality pushes, investigative journalist Zahraa Ghandour to investigate the story of her childhood friend Noor. When both girls were only 9 years old, Zahraa witnessed Noor's family dragging her away, leading to her abandonment and disappearance. In her journey to find her missing friend, Zahraa uncovers secret worlds of abuse against women, crimes that happen with impunity and stories of girls who have managed to escape their disappearance.
Through a multifaceted search that pans back and forth in time, Zahraa must navigate her girlhood trauma and reality, where the death and disappearance of women are a daily occurrence in a war-ravaged Iraq.
With other women survivors who choose to fight back, Zahraa challenges reality by imagining a life free of fear for Iraqi women. She asks: how is it possible to find the truth about what happened to Noor in the middle of this chaos? How does one break out of this endless cycle of fear that everyone here is stuck in?
[logline] => Born in the home of a Baghdad midwife, director Zahraa is a witness to violence against women from girlhood. In a cinematic journey she interrogates the past in search of her missing friend and confronts lifelong fears and nightmares as she works with other women to imagine a better future.
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Women of My Life
Born in the home of a Baghdad midwife, director Zahraa is a witness to violence against women from girlhood. In a cinematic journey she interrogates the past in search of her missing friend and confronts lifelong fears and nightmares as she works with other women to imagine a better future.
Learn more
Array
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[title] => Hands On
[text] => Every year in Longview Texas, a competition is held where contestants try to be the last person with their hand on a free car. As the numbers dwindle, two women from opposite ends of the world find themselves stuck with each other as their only form of connection. Through an absurd lens, we explore where their relationship goes over the course of 14 years.
[logline] => Two determined women engage in an extraordinary endurance contest to win a car by keeping their hands on it the longest. As years pass, their unwavering resolve leads to an unexpected bond.
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Hands On
Two determined women engage in an extraordinary endurance contest to win a car by keeping their hands on it the longest. As years pass, their unwavering resolve leads to an unexpected bond.
Learn more
Array
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[ID] => 512
[title] => Jennifer, 42
[text] => On August 23, 2007, Jennifer Magnano was murdered in front of her children by her newly divorced husband. He shot her in the face and chest on the front stoop of the family home. JENNIFER, 42 is not a whodunnit, it's not a mystery where we search for clues and evidence of guilt or innocence. We know who the murderer is. We know Scott Magnano pulled the trigger. But how did it get to this? After enduring 15 years of extreme coercive control and escalating violence at the hands of husband Scott, Jennifer made a clever plan, and with the help of her best friend, she and the children made a dramatic getaway. But their escape only marked the beginning of a bizarre and hair-raising journey through a system that could not...or WOULD not protect her. In a series of shocking events and baffling acts by various authorities, Jennifer’s life turned into a life-and-death game that she couldn't win.
While the details of Jennifer’s twisty-turny story are unbelievable and devastating, they are anything but unique. Like clockwork, 16 hours from now there will be another domestic violence homicide. Another woman, somewhere in this country, will be killed by her partner. Jennifer may be gone, but her story lives on and the fight continues. We must do better for victims of domestic violence.
[logline] => Based on a real case, JENNIFER, 42 tells the harrowing true story of the life and murder of Jennifer Magnano. Voiced by her three children, and told through animation, JENNIFER, 42 reveals the true nature of domestic violence and a woman's life and death battle for freedom.
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Jennifer, 42
Based on a real case, JENNIFER, 42 tells the harrowing true story of the life and murder of Jennifer Magnano. Voiced by her three children, and told through animation, JENNIFER, 42 reveals the true nature of domestic violence and a woman's life and death battle for freedom.
Learn more
Array
(
[ID] => 127328
[title] => Fire Tender
[text] => FIRE TENDER tells the story of Yurok tribal members returning to traditional fire ways. Margo Robbins is a grandmother, cultural educator, healer, and Indigenous fire practitioner who is fighting for the Yurok Tribe’s return of fire sovereignty—the right to utilize fire for tribal land stewardship outlawed by settlers. Margo works to overturn one hundred years of environmentally devastating anti-fire policies that have put Yurok lands at risk and prevented access to the natural resources needed for clean water, foodstuff, and materials needed for traditional lifeways.
As the director of the Cultural Fire Management Council, Margo is among the first to restore cultural
burning practices in North America. Margo knew that to make regular cultural burning a reality she would have to straddle two worlds of fire: the ancient fire traditions of her ancestors and settler wildland fire.
Throughout the film, we come to understand that Margo’s commitment to fire runs much deeper than merely preventing catastrophic fires and is rooted in a commitment to tribal sovereignty, ceremony, and survivance.
Led by Yurok women, and told from the perspective of Margo’s multigenerational family, FIRE TENDER explores how the silencing of Indigenous voices has left a scar on the land and suppressed opportunities for new growth—both on the forest floor and for those committed to the protection of Mother Earth.
[logline] => Yurok Tribal Members return fire to the land toward cultural and ecological healing.
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)
Fire Tender
Yurok Tribal Members return fire to the land toward cultural and ecological healing.
Learn more
Array
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[title] => Now that we are together
[text] => After an unexpected encounter with a group of women attempting to take to the streets, Patricia begins an intimate yet collective journey to understand the violence she has experienced. Amidst the resurgence of feminist protests, she journeys through her own history and that of her mother, as well as the women she fights alongside of, to discover that in a violent world, being together, creating modes of self-defense and preserving joy can be revolutionary.
[logline] => An intimate essay about women walking without fear
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Array
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[title] => Jamaica Kincaid: Liberating the Daffodil (working title)
[text] => Beginning with early childhood visits to tropical colonial gardens in Antigua to present-day global seed expeditions, the garden is both metaphor and manifestation of a quest for diversity, in the life of award-winning author, Jamaica Kincaid. She firmly advocates that through agriculture, the “tree of life,” and botany, the “tree of knowledge,” humans can truly come to understand existence.
Via the artistic lens of the garden and her indelible connection to nature, our nonfiction film will follow the many storied dimensions of Jamaica’s Kincaid’s life experiences from her “Union Jack” schooling in Antigua, to working as an au pair in Scarsdale, to her illustrious career as a staff writer for The New Yorker for twenty years. The film will be visually dramatic in a naturalistic style, structured as a beautifully woven collage of flowers, plants, anecdotes, events, literary excerpts, archival footage and the vestiges of colonialism as portrayed in Kincaid’s writings.
"The garden, no matter how good it is, must never completely satisfy. The world as we know it after all, began in a very good garden, a completely satisfying garden –Paradise – but after a while the owner and the occupants wanted more."
Jamaica Kincaid, “My Favorite Plant.”
[logline] => This riveting portrait of writer Jamaica Kincaid traces her life from growing up in colonial Antigua, to working as an au pair in Scarsdale, N.Y. as a teenager, to becoming a staff writer for The New Yorker at age 26.
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Jamaica Kincaid: Liberating the Daffodil (working title)
This riveting portrait of writer Jamaica Kincaid traces her life from growing up in colonial Antigua, to working as an au pair in Scarsdale, N.Y. as a teenager, to becoming a staff writer for The New Yorker at age 26.
Learn more
Array
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[ID] => 81634
[title] => WOMEN OF STEEL
[text] => This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
Wollongong, New South Wales - 1980: Denied jobs at the steelworks — the city’s main employer — working-class/migrant women refused to accept discrimination. They began a campaign for the right to work that lasted for fourteen years. Their battle with BHP, the country’s richest and most powerful company, took them from the factory gate to the highest court in the land and changed the rules for women and men throughout Australia. In Women of Steel, directed by campaign leader Robynne Murphy, they tell their personal stories for the first time on film. The result is an exciting and often humorous tale of how a bunch of ordinary women stuck together and did what no one believed they could do — they subdued a giant!
[logline] => 1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
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WOMEN OF STEEL
1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
Learn more