While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
The Island in Me
Homecoming follows two women Johnny Frisbie and Amelia Borofsky who, after decades away, return to their beloved childhood atoll of Pukapuka in the South Pacific. The film reveals a unique story of love, survival and indigenous resiliency in the midst of rising tides and migration.
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Jean Cocteau
Jean Cocteau, the inconnu célèbre, was one of the most celebrated and prolific figures in France of the 20th century. Explore his life, not-stop artistic output and the personal moments that formed him in this feature documentary.
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Ask Joan
Ask Joan, follows the life and work of Joan Price, an 82-year-old sex-positive author and sex advice columnist, who is on a mission to help all seniors – but especially older women – fight society’s ageism to grab all the pleasure they can.
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Extreme Animal Transport
What does it take to move wild animals across international borders? Every move has a story. We follow the journey to a new life.
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ithaka
This film is a project of Documentary Australia and is sponsored by Women Make Movies as part of our ongoing partnership in support of independent filmmakers.
The campaign to free Julian Assange takes on intimate dimensions in this documentary portrait of an father's fight to save his son.
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Big Rock Burning
A gripping documentary exploring the resilient spirit of Malibu's Big Rock community as they rebuild from the ashes of the devastating Palisades Fire, one of America's worst wildfires.
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THE COST
The truth about Alice Munro emerged only after her death. For her daughter Andrea, the story is not about legacy or outrage, but about what happens when everyone knows and nothing changes.
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Roots of Resilience
Roots of Resilience is a documentary feature about Northern temperate rainforests and the people determined to protect and restore them. The film profiles two communities linked by latitude – one racing to protect what remains, the other seeding renewal – of forests that sustain us all.
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Karuara, People of the River
A film about spiritual beings that live in the Amazons’ rivers, and an indigenous community’s struggle to save these sacred water guardians.
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Rubbish: The Queer Kingdom of Leilah Babirye
The decade-long story of a queer artist-activist from Uganda transforming discarded rubbish into visions of liberation.
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Jamaica Kincaid: Liberating the Daffodil (working title)
This riveting portrait of writer Jamaica Kincaid traces her life from growing up in colonial Antigua, to working as an au pair in Scarsdale, N.Y. as a teenager, to becoming a staff writer for The New Yorker at age 26.
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Taking Venice
TAKING VENICE uncovers the true story behind rumors that the U.S. government and a team of high-placed insiders rigged the 1964 Venice Biennale – the Olympics of art – so their chosen artist, Robert Rauschenberg, could win the Grand Prize.
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The Coma Club
THE COMA CLUB follows four matriarchs as their loved ones emerge from comas caused by injuries sustained during America's recent wars. Moving between an annual retreat and their lives back home, the film offers a rare, intimate portrait of caregiving and the resilience of families living in combat’s long shadow.
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Tantura: UnEarthed (formerly Road to Tantura)
For nearly two decades, a Palestinian-American filmmaker follows the trail of her father’s silence into the heart of a buried coastal village—uncovering a contested massacre, a family’s exile, and the quiet machinery of historical erasure.
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Kokusekihou (working title)
A Japanese-born woman lost her Japanese citizenship after naturalizing in the United States. Stranded in Japan during the COVID-19 border closures, she finds herself living in legal limbo and launches a constitutional challenge against Japan’s nationality law and its single-citizenship principle.
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the bomb
the bomb is a critically acclaimed immersive film, music, and art installation that puts viewers in the center of the story of nuclear weapons. It explores their immense power, their perverse allure, and the inherent danger at the very heart of them. An installation version of the bomb is currently touring museums, galleries, film festivals, and academic institutions.
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Tribal Strands
Two self-made hair artists, create authentic hairstyles, leading the anti-hair discrimination movement. In addition, they inspire Black people to embrace their natural hair worldwide while exploring the intersections between modern and ancient African indigenous hairstyles.
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Take Me Home
Anna, a 38-year-old Korean adoptee with a cognitive disability, cares for her aging parents in a fragile balance of meeting each others’ needs. When a Florida heat wave shatters their family and Anna’s routine, her future is uncertain - until she creates a world where she can thrive.
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