While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Familiar Touch
Familiar Touch is a coming of (old) age film. It follows an octogenarian woman’s transition to life in assisted living as she contends with her conflicting desires and self-narratives amidst her shifting age identity and memory.
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After the Deluge
A year into the Covid-19 pandemic, Sharka, a scrappy expressionistic painter, finds respite from the isolation of her small apartment on a park bench. When Bridget, a self-possessed lone traveler dragging a suitcase, encroaches and sits down next to her, angry sparks fly until the two find unexpected common ground.
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Rubbish: The Queer Kingdom of Leilah Babirye
The decade-long story of a queer artist-activist from Uganda transforming discarded rubbish into visions of liberation.
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Two Things Are True
In an attempt to confront childhood sexual trauma, filmmaker Sarah Hanssen decides to revise the abstract expressionist paintings of her deceased father. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, the destruction of a devastating mythology,
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Girls of Tomorrow: Twenties (wt)
2015 - 2025 : From Obama, through Trump, and until Biden’s final presidential days, the Girls go through their twenties grappling with dreams of a fair, feminist, sustainable society in a patriarchal reality. While I have just become a mother and seek elevation, I follow them for a decade.
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Another Light on the Road: Robert Frank & June Leaf's Canadian Home
Two years after the passing of photographer Robert Frank, artist June Leaf returns to Nova Scotia to explore the special relationship they had to their adopted Canadian home of fifty years.
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Coexistence, My Ass!
Noam Shuster Eliassi grew up the literal poster child for the Israeli-Palestinian peace process before making a hard pivot to stand-up comedy and political satire. But as the region sinks deeper into devastating violence, she must meet the moment by challenging people with hard truths that are no laughing matter.
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256,000 Miles From Home
On July 1, 2019, four former unaccompanied child refugees, now between 83 and 92 years old, arrive in Vienna, Austria, to begin a trip retracing the route they took 80 years ago, as Kindertransport children, traveling alone, without parents, fleeing to save their lives.
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