While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Acting Like Women
In 1973, women artists flocked to the Woman’s Building in L.A. – a birthplace for innovative, fearless, and still-relevant feminist performance art that laid a foundation for today’s art and social justice movements. ACTING LIKE WOMEN is a journey into art, activism, and gender told by those who lived it.
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SEE YOU IN AUGUST
Outrageous. Radical. Controversial. Home.
For 40 years women came to the Michigan Womyn’s Music Festival, a radical haven they conjured and re-built in the woods every August, influencing the global feminist revolution.
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Jennifer, 42
Based on a real case, JENNIFER, 42 tells the harrowing true story of the life and murder of Jennifer Magnano. Voiced by her three children, and told through animation, JENNIFER, 42 reveals the true nature of domestic violence and a woman's life and death battle for freedom.
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Dreams of Daraa
Hanadi dreams of a safe home for her family, but that means fleeing Syria with her daughters and finding her kidnapped husband in an international whirlwind.
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Flood
Katy returns to her childhood home to attempt to reconnect to her evangelical father, years after leaving the Christian faith. What could possibly go wrong?
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Game On
GAME ON is a feature-length character-driven documentary about BAFTA-winning game designer Brenda Romero. In the last thirty pioneering years, Brenda has contributed to nearly fifty game titles, developing innovative video and board games in a male-dominated environment. Can she sustain video game gold?
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WOMEN OF STEEL
1980-1994: hundreds of migrant/working-class women campaigned for equality against BHP, the biggest and most powerful company in Australia. In WOMEN OF STEEL, these ordinary women tell their personal stories of how they beat a giant and changed the workplace rules for women and men throughout the country.
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INDÍGENA
To fulfill her mother’s dying wish, a filmmaker retraces her mother’s work as an activist and journalist during the Red Power Movement of the 1960’s and 70’s, bringing to light 500 years of Taino resistance and igniting her own journey of reclamation.
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Gowanus Current
Gowanus Current is a documentary feature film about a neighborhood asking what is truly valuable in their community, and who gets to decide.
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Cancer: A Love Story (Working Title)
Cancer: A Love Story is an autobiographical documentary about my battle with cancer, confronting sexual assault, and the crazy things I did to heal myself. It’s a survival story, but also a story of mothers and daughters, and the intimacies of women’s bodies.
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My Color
My Color is an intimate documentary portrait of three artists living entirely in one color — from their clothes to their homes — turning radical visibility into a means of survival.
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The Gas Station Attendant
Telephone conversations the filmmaker recorded with her father while he worked nights at a gas station reveal a remarkable journey, from living on the streets of India to a chance encounter that would bring him to the United States.
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Work While You Have the Light
Work While You Have the Light is a feature documentary by a multi-generational directing team that examines professional women who are over seventy-years-old and still working.
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Devi
Devi, a former guerrilla fighter who survived wartime rape, decides to fight for justice.
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The Road to Independence (Working Title)
Seeking to give a nuanced and humanized view of the Vietnam-American war and its complex reverberations, this documentary explores the perspective of Vietnamese youth and Communist veterans as they discuss the past and their dreams for Vietnam's future.
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Untitled Indigenous vs. White Supremacy Ideology Film
There is an EPIDEMIC occurring in the United States and no one knows about it. From 2016 through 2019, over 19,000 Native American women and teenage girls have vanished and/or were murdered. Most of these crimes are never solved.
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