While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
How to Die
Faced with the uncertainty of their final days, three hospice patients step into the unknown—preparing for a profound journey with psilocybin-assisted therapy. Blending documentary, animation, and archive, How to Die is a poetic meditation on living and dying.
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Sundays at Café Tabac
Step into the electrifying realm of radical glamour, where Sundays at Café Tabac immortalizes the iconic lesbian night that lit up New York’s East Village from 1993 to 1995. A vibrant celebration of diversity and unapologetic self-expression, this unforgettable gathering not only transformed lives but also mirrored the surge of visibility that sent shockwaves through mainstream media—during a time when being seen was a matter of survival.
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Kokusekihou (working title)
A Japanese-born woman lost her Japanese citizenship after naturalizing in the United States. Stranded in Japan during the COVID-19 border closures, she finds herself living in legal limbo and launches a constitutional challenge against Japan’s nationality law and its single-citizenship principle.
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Counted
"Counted" exposes the horrifying experience that incarcerated pregnant women endure and follows the advocates, doulas, and doctors on a mission to end prison birth.
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The Portal
A documentary and book with a global vision to shift humanity out of a state of crisis. The Portal follows six real-life stories that all overcome trauma, anxiety, depression and PTSD using a simple yet powerful technique. What does the planet look like if we all did this?
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We Are Volcanoes
Undisclosed project. Please contact filmmaking team for more information.
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Sterilized
Sterilized follows the journeys of young women who have made a radical decision - to remove their tubes so they can never have children. The film explores autonomy, fear, and who gets to decide what a woman’s life should look like.
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Seeing Stars
In this genre bending solo musical film, a legally blind writer waits in her eye Doctor’s office suspecting her low but long stable vision may be changing. Fighting fear, she inhabits her own stories of women with limited sight and limitless vision, turning them into stars to light her way.
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Most Dangerous Women: Women of the West
A documentary short featuring women changemakers working to create a more just world. In the film, contemporary leaders in the U.S. West reflect on the early legacy of visible women in the region, as well as the challenges they and their peers face today, and their hopes for the future.
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Big Rock Burning
A gripping documentary exploring the resilient spirit of Malibu's Big Rock community as they rebuild from the ashes of the devastating Palisades Fire, one of America's worst wildfires.
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It's Not Who I Am
Women are going to jail and prison at rates that have increased by 700% since 1980, a rate 50% higher than men. When they are released, they have expectations of starting life anew, however, in their re-entry journey, they are often confronted with an unforgiving society.
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Girl Island: The Sandy Stone Story
How does a nice, quiet Jewish boy born in New Jersey in 1936 become a sound engineer for Jimi Hendrix, a lesbian separatist, the founder of Trans Studies, and the Goddess of Cyberspace?
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A Place of Absence
Decades after the disappearance of her uncle during Argentina’s dictatorship, filmmaker Marialuisa Ernst joins the Caravan of Mothers, a group of Central American women traveling the migrant trail in search of loved ones who have disappeared trying to reach the US.
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God is a Pelican
“God is a Pelican” is a stop-motion animated short that follows two misfit middle-school girls’ intense, queer, and turbulent friendship as they create their own religion.
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Hope of Escape
A true story that follows the incredible journey of an enslaved mother and daughter who must escape before they are sold and separated forever. Their only hope is to connect with their free relatives in the North and convince the most powerful abolitionists of their time to help them.
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Good Fire
After more than one hundred years of fire suppression, Yurok people are returning Indigenous fire medicine to the land in order to heal the world.
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Nuns vs. The Vatican
A former nun breaks her silence to expose the Church’s most celebrated priest and a system built to protect power at any cost.
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Take Me Home
Anna, a 38-year-old Korean adoptee with a cognitive disability, cares for her aging parents in a fragile balance of meeting each others’ needs. When a Florida heat wave shatters their family and Anna’s routine, her future is uncertain - until she creates a world where she can thrive.
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