While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Big Fight in Little Chinatown
All across the globe, Chinatowns are under threat of disappearing – and along with them, the rich history of communities who fought from the margins for a place to belong. Big Fight in Little Chinatown documents the collective fight to save Chinatowns across North America.
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Hollywood Does Abortion
HOLLYWOOD DOES ABORTION reveals how depictions of abortion in film and television have both reflected and distorted this safe but controversial medical procedure. Exploring how abortion came into our living rooms and psyches, we see how these stories helped shape public discourse and today’s seismic shift in abortion access.
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After the Deluge
A year into the Covid-19 pandemic, Sharka, a scrappy expressionistic painter, finds respite from the isolation of her small apartment on a park bench. When Bridget, a self-possessed lone traveler dragging a suitcase, encroaches and sits down next to her, angry sparks fly until the two find unexpected common ground.
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Devi
Devi, a former guerrilla fighter who survived wartime rape, decides to fight for justice.
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999: The Extraordinary Young Women on the First Official Transport to Auschwitz
“66% of millennials cannot say what Auschwitz was” even fewer know that the first Jewish transport to Auschwitz was 999 teenage girls and young women. Discover the truth behind this historical #MeToo moment and meet three survivors of the first transport, who are in their 90s, and their families.
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Flashing
How women around the world experience and address menopause - a critical and understudied realm of women's sexual health and reproduction.
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As Slow As Possible
From the unhurried movements of Icelandic glaciers to a 639 year-long musical performance in Germany, stories of geological, human, and cosmic time intersect in a cinematic exploration of time and timelessness.
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Myself When I Am Real
Set in the year 2000, MYSELF WHEN I AM REAL is an experimental short film about a working mother and her teenage daughter who struggle to make friends and find belonging in a small Wisconsin town. It explores otherness, identity, and assimilation from the contrasting perspectives of childhood and adulthood.
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Holloway
Six women return to the abandoned Holloway Prison to participate in a women’s circle. Sharing some of the most intimate experiences of their lives, they unravel what led each of them to prison, building an eye-opening portrait of repeatedly failing systems, and discovering their extraordinary capacity to heal through sisterhood.
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Into The Underworld
On a remote Indonesian island, a female-led underwater cave diving team joins forces with local scientists on an expedition to locate a desperately needed drinking water source for indigenous villages, and to protect their ancestral waters from encroaching threats of mining and climate change.
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Two Things Are True
In an attempt to confront childhood sexual trauma, filmmaker Sarah Hanssen decides to revise the abstract expressionist paintings of her deceased father. The project soon expands to involve collaborations with additional artists, revelations about other women still affected by their relationship with her father, the destruction of a devastating mythology,
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The Gas Station Attendant
Telephone conversations the filmmaker recorded with her father while he worked nights at a gas station reveal a remarkable journey, from living on the streets of India to a chance encounter that would bring him to the United States.
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Paper City
Paper City tells the story of three survivors of the 1945 fire-bombing of Tokyo as they launch one final campaign to leave behind a record of this forgotten tragedy—before the last of them passes away.
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The Roar of a Lion Cub
Encouraged by an unprepared, but determined American cinematographer, three Mongolian homeless teens reluctantly navigate the forced, premature transition into adulthood as they fight to survive within the harsh realities of their rapidly changing society. Overcoming language barriers and cultural boundaries, they create an unlikely long-distance family made by determination.
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Taking Back The Groove
Disco legend Richie Weeks claws back the rights to his music and restores his legacy in the wake of the Black Lives Matter movement.
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KILLFACE
KILLFACE (USA, 16 min) is a sensory, sound-centric meditation on female strength, stamina, and struggle through the visual metaphor of a female fighter.
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Standing Above the Clouds
When the massive Thirty Meter Telescope is proposed to be built on Mauna Kea, an uprising of kiaʻi (protectors) in Hawaiʻi and around the world dedicate their lives to protecting the sacred mountain from destruction. Through the lens of mothers and daughters in three Native Hawaiian families, Standing Above the Clouds explores intergenerational healing and the impacts of safeguarding cultural traditions.
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Vena Aquatica
In El Salvador women are the protectors of water and land, they are the veins circulating life throughout this Central American territory; VENA AQUATICA is a sacred journey that flows through a spectrum of the realities carried by communities at the forefront of ecocide and extractivism.
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