49 minutes | Color/BW | 16mm/DVD | Order No. 99197
The internationally acclaimed director of THE PIANO, AN ANGEL AT MY TABLE and SWEETIE first displayed her visual flair and dark humor in these award-winning shorts. The compilation includes:
A GIRL'S OWN STORY is about Beatlemania, the sixties and growing up. Some stories about girlhood: where family is strange, adutlhood lonely, and innocence perverse.
PASSIONLESS MOMENTS is a series of wry vignettes: Sean and Arnold Not Speaking; Scotties, Part of the Grand Design of the Universe; Angela Eats Meats, Ironing on Sunday; and others...
PEEL takes place on a hot Australian summer's day, a recalcitrant, freckled, red-headed family of three go on a Sunday drive in the country. Their outing results in an intrigue of awesome belligerence. Winner of the Palme d'Or at the Cannes Film Festival.
"A beautifully photographed, sharply drawn drama...A lovely debut which will be compared to Jane Campion's later work but will certainly live up to the comparison."
"These deceptively fragile-looking and tough-minded short films reveal familiar power plays from multiple points of view, punctuated by telling close-ups. A promising young director's take on the origins of narrative."
SCREENING HIGHLIGHTS AND AWARDS
- Passionless Moments: Best Experimental Film, American Film Institute
- A Girl's Own Story: American Film Institute Award for Best Screenplay in a Short Film
- Peel: Cannes, Golden Palm for Best Short Film
New Zealand director, producer and screenwriter Jane Campion is one of cinema’s most notable filmmakers. She is the first woman to receive two Oscar nominations for Best Director – the first of which was in 1994 for THE PIANO, and the second of which she also won in 2022 for THE POWER OF THE DOG. She was also the first woman director to receive the coveted Palme d’or at Cannes for THE PIANO in 1993 and went on to win Best Screenplay. In 2021, she was honored with the prestigious Prix Lumière Award at the Lumière Film Festival in Lyon, France.
Jane studied anthropology at Victoria University in Wellington and then painting at London’s Chelsea School of Arts and the Sydney College of the Arts before moving to film in the early 1980s, while studying at the Australian Film and Television School. Her first short film, PEEL (1982), winner of the Short Film Palme d’or in 1986 in Cannes, was followed in 1989 by SWEETIE, her first feature film, and, a year later, by AN ANGEL AT MY TABLE about New Zealand author Janet Frame. Subsequent to the multi-award-winning THE PIANO were THE PORTRAIT OF A LADY (1996); HOLY SMOKE (1999), currently being adapted for the stage; IN THE CUT (2003) and BRIGHT STAR presented in Competition at Cannes, in 2009. Campion has recently won remarkable public and critical acclaim with a television series, TOP OF THE LAKE. (03/22)
Abortion and Women's Rights 1970
A Woman on the Outside
Storming Caesars Palace
Dying to Divorce
Maestra and Maestras Voluntarias
Annah la Javanaise
Call Me Human
America's War on Abortion
Running with My Girls
Fannie Lou Hamer's America
Muslim in America
In the Rumbling Belly of Motherland
Fly So Far
Ways of Being Home
Barbara Lee: Speaking Truth to Power
Daughter of a Lost Bird
Breach of Trust
The Celine Archive
Nice Chinese Girls Don’t: Kitty Tsui
Belly of the Beast
Without a Whisper
Abortion Helpline, This is Lisa
A Normal Girl
The Gold Diggers
The Cancer Journals Revisited
All We've Got
There Goes the Neighborhood
Feminista: A Journey to the Heart of Feminism in Europe
I Am the Revolution
The Feeling of Being Watched
Birth on the Border
Exit: Leaving Extremism Behind
A Thousand Girls Like Me
White Right: Meeting the Enemy
The Rest I Make Up
Yours in Sisterhood
Dinner with the President
Azmaish: A Journey Through the Subcontinent
Nothing Without Us: The Women Who Will End AIDS
Love the Sinner
What Doesn't Kill Me
A Better Man
Black Girl in Suburbia
Birthright: A War Story
Read Civia Tamarkin's director's statement here.